Jill Lerner

American, active late 20th century

Displaying 37 - 48 of 59

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  • ""

    Canto, V.2

    Jürgen Partenheimer, Eric Vontillius, Brian Shure, Tim Baker, Jill Lerner, Graphicstudio

    1998

    Etching, lithograph, and heliorelief woodcut on somerset textured white paper  Accession ID  2002.111.18

    Not on view
  • ""

    Canto, V.4

    Jürgen Partenheimer, Tim Baker, Eric Vontillius, Jill Lerner, Brian Shure, Graphicstudio

    1998

    Etching, lithograph, and heliorelief woodcut on somerset textured white paper  Accession ID  2002.111.20

    Not on view
  • The image is an illustration in black and white of two people. Both individuals are portrayed from head to toe. The person on the left is seated and turned slightly to the right, looking toward the second person. This individual has short voluminous hair. The second person stands facing the seated individual, with long straight hair. The seated person wears a black outfit with short sleeves, and the standing person also appears to be dressed in black. The standing person is holding an object that resembles a book or notepad, presenting it to the seated individual. There are no visible pieces of jewelry. The background is abstract, with lines radiating outward, creating a textured and dynamic backdrop.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Jill Lerner, Stefanie Kohn

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.7

    Not on view
  • This is a drawing of a stylized figure sitting on an aircraft. The image is a black and white print, showing a cartoonish figure with distinct features, such as prominent hair and a slight smile, sitting atop a simplified representation of an airplane. The background consists of dynamic, radiating lines emanating from the figure. The overall style of the drawing has a playful and imaginative quality, emphasizing bold contrasts and minimalistic details.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Jill Lerner, Stefanie Kohn

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.1

    Not on view
  • The image shows sharp, angular shapes and dynamic, zigzagging lines in a confined, rectangular composition. The artwork features distinctive geometric forms resembling crowns or chess pieces. Surrounding lines create a texture similar to pine needles or a botanical pattern, weaving a complex network around the central shapes.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Jill Lerner, Stefanie Kohn

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.6

    Not on view
  • Two characters are depicted in a stylized, abstract manner, possibly through a linocut or woodcut print. One figure, on the left, has their arms raised above their head and face turned toward the second person. This figure has short, sleek hair and wears a short-sleeved shirt with vertical stripes on the bottom of their pants. The second figure, on the right, faces the first and appears to be gesturing with their hands. They wear a hat and an outfit with a patterned or textured design and have short, cropped hair. There is no jewelry visible on either person, and no objects are held. The background features swirling decorative elements and lines that give a dynamic feel. The scene is enclosed within a plain white border.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.3

    Not on view
  • The image depicts three stylized, black and white figures from the waist up standing together. The central figure is flanked by two others, who appear to be supporting them by wrapping their arms around. All three individuals have simplified facial features with similar expressions, and the central figure has their hair pulled back. The figure on the left wears a large-brimmed hat and a short-sleeved top, while the figure on the right has short hair and a short-sleeved top. The central figure wears a dress-like garment. The background features a pattern of radiating lines and abstract leaf-like shapes at the bottom.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.2

    Not on view
  • The image is a black and white illustration on a plain background, depicting the upper portions of four heads, each appearing to overlap and tilt in different directions. The heads are positioned closely together, facing inwards towards a central point. The facial features are simply outlined, and hair styles vary: the top left head has short, wavy hair; the top right head features tight curls; the bottom right head appears to have long, straight hair; and the head at the bottom left has wavy, shoulder-length hair. None of the heads are fully colored, and no clothing details or accessories such as jewelry are visible. The background is filled with abstract, radiating lines.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.4

    Not on view
  • The image is a black-and-white drawing of a person from the shoulders up. The person is centered in the image, facing directly forward. They have straight eyebrows, a straight mouth, and medium-length hair framing their face. They are wearing clothing with a collar or lapels, and a decorative flower-like pattern. The background is filled with densely packed lines creating a radiating pattern, along with plant leaves and a bird on the left. The style is reminiscent of a block print with high-contrast details against a plain background.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.8

    Not on view
  • The image shows a cover design featuring a portrait of a person facing forward with a neutral expression. The person's facial features are depicted in a bold, outline style with long hair. They wear a collared shirt with floral decorations. The setting includes natural elements like flowers and a hummingbird. The background has dynamic lines suggesting foliage against a solid color. There is text in English and Portuguese above the illustration and the name Abraão Batista below. The color scheme is earthy, with black and muted red tones used throughout.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Boxed set of eight woodblock prints in black with text letterpress  Accession ID  2002.111.2.1-8

    Not on view
  • Thick, dark, curved lines and angular shapes are scattered across a light background. The image features sweeping curves, zigzag shapes, and a looping form.

    Random Combination of Indeterminate Lines

    Bernar Venet, Jill Lerner, Tim Baker, Mark Callen, Graphicstudio

    1996

    Drypont, open bite etching, and aquatint on lana gravure paper  Accession ID  1998.87.25

    Not on view
  • The image displays an abstract arrangement of bold, sweeping lines and shapes. There is a central looped figure resembling a simplified form, with a line crossing its middle. This figure is flanked by irregular shapes on either side that mirror each other. The composition suggests a human torso or a whimsical face, with the side shapes potentially representing ears or wings. The colors used are pink and orange, with inner black and white details. The lower part of the image features a continuation of these lines, forming a loosely structured body-like shape. A curved "T" shape at the bottom completes the composition, serving as limbs or legs. The abstract forms are set against a light neutral background.

    Changaloo

    Keith Sonnier, Jill Lerner, Tim Baker, David McDaniel, Mark Peterson, Shane Hoffman, Graphicstudio

    1996

    Color lithograph on okawara wove paper  Accession ID  1998.87.18

    Not on view