Jackson Pollock

Pollock, Paul Jackson

American, 1912 - 1956

Displaying 13 - 24 of 33

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    Untitled

    Jackson Pollock

    1951

    Portfolio of six screenprints in black on white laminated strathmore paper  Accession ID  2001.24.1.1-6

    Not on view
  • The image displays black lines and blotches on a white background, with swirling strokes and splatters creating an abstract composition. Shapes resembling human faces or masks, as well as eyes and hands, are intertwined within the design.

    Untitled (Silkscreen I)

    Jackson Pollock

    1951

    Screenprint  Accession ID  2008.115.3966

    Not on view
  • Densely spaced lines and splatters in black, white, pale salmon pink, teal, and steel gray crisscross a rectangular cream-colored canvas in this abstract horizontal painting. The lines move in every direction. Most are straight but some curve slightly. The density eases a bit near the edges. Two sets of ghostly white handprints are visible at the upper corners. The artist signed and dated the painting in black paint in the lower left corner: “Jackson Pollock ’50.”

    Number 1, 1950 (Lavender Mist)

    Jackson Pollock

    1950

    Oil, enamel, and aluminum on canvas  Accession ID  1976.37.1

    Not on view
  • The image shows bold, sweeping black lines intersecting and overlapping on a cream-colored background. The splashes and drips of ink add to the abstract composition. There is a central shape with angular and pointed forms, surrounded by smaller splatters.

    Untitled

    Jackson Pollock

    c. 1950

    Black ink  Accession ID  1985.62.2

    Not on view
  • The image displays swirling and intersecting lines creating abstract forms. The lines suggest a humanlike face, with elements resembling an eye, a nose, and hair, as well as dynamic movement.

    Untitled

    Jackson Pollock

    c. 1945

    Pen and black ink on brown paper prepared with yellow gouache  Accession ID  1985.62.4

    Not on view
  • The image shows an abstract composition of sweeping curves, jagged lines, and overlapping shapes. The interplay of light and dark creates contrast, and certain areas hint at recognizable features like a face or a body part.

    Untitled

    Jackson Pollock, Emiliano Sorini

    1944/1945 (printed 1967)

    Engraving and drypoint in brown-black on white italia wove paper  Accession ID  2009.4.4

    Not on view
  • Printed in very dark brown on white paper, curling, zigzagging, and straight lines, some delicate and some gouged, are spaced fairly evenly across this horizontal, abstract engraving and drypoint. Most of the deeply cut lines are in the lower right quadrant with a couple curving across the left half. Some of the delicate lines create the impression of crescent moons, birds, and shapes among what first appears to be chaos. Graphite writing in the lower margin in the right corner reads, “38/50.”

    Untitled

    Jackson Pollock, Emiliano Sorini

    1944/1945 (printed 1967)

    Engraving and drypoint in brown-black on white italia paper  Accession ID  2009.4.2

    Not on view
  • The image is filled with intersecting and overlapping lines and shapes that create a chaotic and intricate pattern. The abstract composition evokes a sense of movement and energy, with curved and jagged lines resembling branches, paths, or the outlines of hills. Some portions of the image could be reminiscent of tangled wires or a collection of scribbles, while other sections might suggest the form of delicate spider webs or fragments of shattered glass. The overall complexity might bring to mind an abstract map or a collage of natural and man-made elements combined into a single dynamic artwork.

    Untitled

    Jackson Pollock, Emiliano Sorini

    1944/1945 (printed 1967)

    Engraving and drypoint in brown-black on white italia wove paper  Accession ID  2009.4.1

    Not on view
  • The image displays thin, irregular lines intersecting to form shapes on a textured background. Some shapes resemble triangles and other geometrical forms. There are objects that resemble a stop sign and a watermelon.

    Untitled

    Jackson Pollock, Emiliano Sorini

    1944/1945 (printed 1967)

    Engraving and drypoint in brown-black on white italia paper  Accession ID  2009.4.3

    Not on view

  • Untitled [verso]

    Jackson Pollock

    1944-1945

    Engraved and drypointed copper plate  Accession ID  2018.118.3.b

    Not on view

  • Untitled [recto]

    Jackson Pollock

    1944-1945

    Engraved and drypointed copper plate  Accession ID  2018.118.3.a

    Not on view

  • Untitled

    Jackson Pollock, Reuben Kadish

    1944/1945

    Engraving and drypoint in black on wove paper  Accession ID  2018.118.1

    Not on view