Jasper Johns

Johns, Jasper

American, born 1930

Displaying 1693 - 1704 of 1969

Results

  • The image shows a complex abstract design of overlapping lines and curves. The shapes form a pattern that resembles large, rounded letters. The composition is reminiscent of architectural blueprints, with precise arrangement of intersecting lines. The overall impression is of a grid-like framework, inviting viewers to find patterns within the chaos.

    Alphabet [trial proof 2]

    Jasper Johns, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black and gray on warren exp. wove paper [trial proof]  Accession ID  2006.136.2

    Not on view
  • In this image, a large, curving shape resembling a numeral '9' is positioned within a rectangular frame. The artwork features a gradient of colors blending seamlessly from orange to green to purple. The lines of the '9' create a sense of movement and fluidity, similar to a balloon or a ribbon. The outline of the number is white, contrasting against the colorful background, evoking a playful yet structured aesthetic.

    Figure 9

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1990.71.8

    Not on view
  • The sculpture depicts a raised single shoe with the toe pointing upward and the heel downward. The shoe has laces tied in a bow and near the toe is a circular metal element inscribed with the words "HIGH SCHOOL." The sculpture is dark gray and made of a metallic material, giving it a smooth, textured appearance. The backdrop is a flat surface with faint scratches and marks. The shoe emerges from the surface, creating a three-dimensional effect.

    High School Days [experimental proof]

    Jasper Johns, Kenneth Tyler, Gemini G.E.L.

    1969

    Lead relief with mirror [experimental proof]  Accession ID  2006.136.82

    Not on view
  • The image features a large numeral one encased in a rectangular frame with soft edges blending into the background. The artwork includes uneven tones and smudged textures, evoking fluidity and movement within the static shape. The vertical and slightly tilted number resembles a structure or pole in a misty landscape.

    Figure 1 [trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.11

    Not on view
  • ""

    1st Etchings

    Jasper Johns, Donn Steward, Universal Limited Art Editions

    1968-1974

    Portfolio of six etchings and photoengravings with a seventh attached to the title page and an eighth printed in relief on the colophon page, all on angoumois handmade paper  Accession ID  2008.81.1.1-8

    Not on view
  • The image shows a rectangular area on a textured, light background, filled with intricate, overlapping lines and curves that form an abstract pattern. The lines crisscross to create complexity, resembling a tangle of threads or a web. Their arrangement suggests abstracted forms resembling outlines of letters or architectural drafts. The overall composition evokes a sense of delicate intricacy, akin to faintly etched patterns on paper.

    Alphabet

    Jasper Johns

    c. 1968-1969

    Inkless embossing on green laid paper  Accession ID  2000.120.5

    Not on view
  • ""

    Gray Alphabets [color trial proof 4B]

    Jasper Johns, Charles Ritt, Bruce Lowney, Kenneth Tyler, Gemini G.E.L.

    1968

    Lithograph in grays on special rives wove paper [color trial proof]  Accession ID  2005.153.43

    Not on view
  • ""

    Gray Alphabets [color trial proof 5A]

    Jasper Johns, Charles Ritt, Bruce Lowney, Kenneth Tyler, Gemini G.E.L.

    1968

    Lithograph in grays on special rives wove paper [color trial proof]  Accession ID  2005.153.45

    Not on view
  • ""

    Gray Alphabets [color trial proof 5D]

    Jasper Johns, Charles Ritt, Bruce Lowney, Kenneth Tyler, Gemini G.E.L.

    1968

    Lithograph in grays on special rives wove paper [color trial proof]  Accession ID  2005.153.46

    Not on view
  • The image shows a series of sweeping, curved lines and shapes forming an abstract composition. The most prominent shape resembles a large, sinuous number two or a stylized swan, with a curved neck and rounded body. Within this abstract form, textured areas with varying shades of grey suggest a mottled or weathered appearance, similar to the rough surface of stone. Overall, the image conveys an abstract quality.

    Figure 2

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.77

    Not on view
  • The image shows an abstract representation of the number "5" with thick, sweeping curves and straight lines. The lines are uneven, creating movement. The number is reminiscent of a vintage clock face or signage. There is a contrast between the dark number and the lighter background. Gradient shading adds depth and blurred edges give it an impressionistic quality.

    Figure 5

    Jasper Johns, James Webb, Richard Wilke, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.80

    Not on view
  • The image shows a large, dark oval shape at the center surrounded by a rectangular border. The oval has rough textures resembling a worn, metal door or shield, blending organic and geometric elements. Broad, heavy lines and scratchy textures suggest a connection to industrial objects like machinery or architecture, emphasizing solidity and mass.

    Figure 0

    Jasper Johns, Charles Ritt, Dan Gualdoni, James Webb, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.76

    Not on view