Jasper Johns

Johns, Jasper

American, born 1930

Displaying 1705 - 1716 of 1969

Results

  • The image features a bold numeral "9" formed by thick lines enclosed within a rectangular border. The design contrasts a black background with white lines in an abstract style. The composition includes a frame and negative spaces, resembling a poster or graphic print.

    Figure 9

    Jasper Johns, James Webb, Richard Wilke, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.83

    Not on view
  • ""

    Gray Alphabets [trial proof]

    Jasper Johns, Charles Ritt, Bruce Lowney, Kenneth Tyler, Gemini G.E.L.

    1968

    Lithograph in black on wove paper [trial proof]  Accession ID  2005.153.48

    Not on view
  • The image displays a large, sweeping curve that moves from the top right to the bottom left. A circular form is enclosed at the top, expanding into a curved shape at the bottom. This abstract composition resembles a stylized question mark or a partially formed letter 'S'. Dark, textured areas within the curves resemble the surface of aged, weathered stone. The borders and lines appear incomplete, suggesting a work in progress.

    Figure 2 [trial proof]

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.77

    Not on view
  • The image shows a series of concentric circles drawn in a swirling pattern within a square form. The circles are lightly sketched with a fluid, wave-like quality. The outer layers of the circles resemble ripples or the texture of wind-swept sand. The interplay of lines and shapes in the design suggests connections to natural phenomena.

    White Target [trial proof]

    Jasper Johns, Fred Genis, Zigmunds Priede, Universal Limited Art Editions, Universal Limited Art Editions

    1968

    Lithograph in white on black wove paper [trial proof]  Accession ID  2004.167.44

    Not on view
  • The image shows a grid of small square shapes, each containing a different lowercase letter. The composition resembles a patchwork quilt, with a monochromatic color scheme and repeated typography that gives the impression of an old, type-written page.

    Gray Alphabets [working proof]

    Jasper Johns, Charles Ritt, Bruce Lowney, Kenneth Tyler, Gemini G.E.L.

    1968

    Lithograph in black with gray ink wash on newsprint [working proof]  Accession ID  2005.153.40

    Not on view
  • Concentric cobalt-blue and canary-yellow rings alternate and create a target against a cherry-red background in this vertical screenprint. The innermost circle is blue, followed by two yellow and two additional blue rings. Black, scribbled lines are unevenly spaced across the target and background. The top quarter of the print shows a row of four orange, cubby-like objects framed by wood panels. The cubbies each encase a person’s nose and mouth, though the features on the rightmost version are faint so it appears abstract. A wooden slat runs across the top of the cubbies and wood framing around them. The light tan-colored wood panels are drawn with wood grain. Tiny text in the white gap between the wood panels reads “HINGE” to the left and repeats it to the right. The image is surrounded by a wide white margin. A pencil inscription under the left corner of the printed image reads, “Trial Proof (wood grain in black and not final red).” The artist scrawled his signature and the date, “66” under the right corner, and added “For Lois, Johns, 28 May ‘70” below.

    Target with Four Faces [trial proof]

    Jasper Johns, Aetna Printing Co.

    1968

    Color screenprint on rives bfk paper [trial proof]  Accession ID  2000.120.4

    Not on view
  • The image displays a large numeral "1" created with thick, dark strokes in an abstract style. The number appears to have depth and texture, with shades of gray suggesting shadow and light play. The background is a uniform gray, providing contrast for the number. The numeral features slight smudges and variations in shading.

    Figure 1

    Jasper Johns, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1976.56.157

    Not on view
  • ""

    Ale Cans

    Jasper Johns, Donn Steward, Universal Limited Art Editions

    1968

    Etching and photoengraving on angoumois paper  Accession ID  2008.81.1.4

    Not on view
  • The image shows a large number "3" made up of intersecting lines. The composition creates a textured surface with a series of overlapping lines and circles. The abstract nature of the artwork may suggest various shapes or figures to viewers.

    Figure 3

    Jasper Johns, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.78

    Not on view
  • The image shows a large, bold, vertical rectangle with a protruding horizontal line near the top, forming the abstract silhouette of the number "1." It is set against a textured background with a blend of lighter and darker shades, creating a sense of depth and movement. The image has indistinct edges and variations in shading.

    Figure 1 [working proof]

    Jasper Johns, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    Lithograph in black with crayon on newsprint [working proof]  Accession ID  2004.167.74

    Not on view
  • The image displays concentric circles etched into a square form with a dark border on a grey background. The abstract design features multiple circular rings radiating from the center. The circles have a textured and somewhat irregular appearance, adding a dynamic quality to the symmetrical layout.

    White Target [trial proof]

    Jasper Johns, Fred Genis, Zigmunds Priede, Universal Limited Art Editions

    1968

    Lithograph in white with black wove japan chine collé mounted on gray ingres paper mounted on white wove paper [trial proof]  Accession ID  2004.167.43

    Not on view
  • The image consists of swirling lines and geometric shapes forming an abstract composition. The face of the Mona Lisa is integrated into the design, surrounded by layers of lines and shapes.

    Figure 7 [trial proof]

    Jasper Johns, Kenneth Tyler, Charles Ritt, Paul Drake, Gemini G.E.L.

    1968

    Lighograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.85

    Not on view