Lawrence J. Hamlin

Hamlin, Larry

American, active late 20th century

Displaying 121 - 132 of 170

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  • The image displays fine lines across a surface, forming a textured pattern. It has an abstract composition that may bring to mind veins on a leaf or lines on skin. The background is a pale creamy color, enhancing the minimalist feel.

    Series A, #4 (overlay sheet)

    José Maria Sicilia, Crown Point Press, Lawrence J. Hamlin

    1990

    Aquatint in black and brown on fuji hosho paper with overlay sheet of fuji hosho dipped in beeswax  Accession ID  1998.40.425

    Not on view
  • The image shows three large abstract representations of suitcases with soft, painterly edges and outlined details. The suitcases are primarily in shades of blue on a white background. Two suitcases are on the left side, with one slightly in front of the other, while the third suitcase is positioned more to the right and slightly lower, creating a sense of depth and perspective.

    Cannisters III

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Softground etching and aquatint in blue on somerset textured paper  Accession ID  1998.40.95

    Not on view
  • The image displays a large, pale beige canvas covered with delicate, intersecting lines that create subtle textures and patterns across the surface. The abstract piece evokes the appearance of a woven fabric or cracks on a clay surface. The soft, muted color palette and the delicate complexity of the lines draw parallels to natural elements and textures.

    Series A, #6 (overlay sheet)

    José Maria Sicilia, Crown Point Press, Lawrence J. Hamlin

    1990

    Aquatint in black and brown on fuji hosho paper with overlay sheet of fuji hosho dipped in beeswax  Accession ID  1998.40.429

    Not on view
  • The image displays a composition of overlapping, radiating patterns with circular forms and detailed linear textures. The shapes closely resemble intricate patterns found in natural objects such as slices of tree trunks or blooming flower petals. The interlocking arcs and finely detailed lines draw the eye towards the centers, adding depth and complexity to the arrangement.

    Untitled, State 1

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Softground etching and aquatint in black on somerset textured paper  Accession ID  1998.40.159

    Not on view
  • The image features rectangular and cylindrical shapes with bold lines across them. The arrangement resembles laboratory test tubes in wooden racks, filled with blue spots and streaks. The composition suggests an experimental or scientific aspect.

    Test Tubes V

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Color aquatint, spitbite aquatint, and drypoint on somerset textured paper  Accession ID  1998.40.154

    Not on view
  • ""

    Suburbs I

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Softground etching and aquatint in blue-green on somerset textured paper  Accession ID  1998.40.148

    Not on view
  • The image shows a collection of intricate, undulating shapes filled with numerous small, oval-like lines and patterns. These shapes form clusters resembling rolled up bundles of fibrous material, with a golden-brown color palette enhancing their texture. The repetitive oval marks on the abstract forms evoke densely packed organic material, resembling straw or tightly rolled parcels.

    Chalices, State 2

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Color softground etching and aquatint on somerset textured paper  Accession ID  1998.40.97

    Not on view
  • The image shows circular and bubble-like shapes overlapping organic, rounded forms with a network of veins or tendrils. A large circular shape resembling a fruit or pomegranate with textured skin dominates the background. The abstract composition features a cluster of grapes or bubbles cascading from an overturned container at the edge of the frame. The scene is set against a fluid background of earthy tones.

    Fruit Juice Bottles II, State 2

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Color aquatint and spitbite aquatint on somerset textured paper  Accession ID  1998.40.117

    Not on view
  • The image shows intricate circular shapes with radiating lines and densely packed small dots creating an abstract pattern. The design resembles a delicate structure, like coral or the detailed sections of a seashell when viewed up close. The pattern is rendered in a monochromatic greenish-yellow hue.

    Untitled, State 2

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Softground etching and aquatint in green on somerset textured paper  Accession ID  1998.40.160

    Not on view
  • The image displays an elongated shape against a muted background, rendered in light beige and pale hues. The abstract representation lacks distinct lines or borders and blends subtly into the area around it.

    Series B, #2 (printed sheet)

    José Maria Sicilia, Crown Point Press, Lawrence J. Hamlin

    1990

    Color aquatint and spitbite aquatint on somerset white paper with overlay sheet of fuji hosho dipped in beeswax  Accession ID  1998.40.432

    Not on view
  • ""

    Suburbs II

    Tony Cragg, Lawrence J. Hamlin, Crown Point Press

    1990

    Color aquatint and spitbite aquatint on somerset textured paper  Accession ID  1998.40.149

    Not on view
  • The image shows a large rectangular shape with a slightly off-white or beige color. The abstract depiction lacks distinct shapes or lines, resembling a blank parchment or an old paper texture.

    Series B, #2 (overlay sheet)

    José Maria Sicilia, Crown Point Press, Lawrence J. Hamlin

    1990

    Color aquatint and spitbite aquatint on somerset white paper with overlay sheet of fuji hosho dipped in beeswax  Accession ID  1998.40.433

    Not on view