Lawrence J. Hamlin

Hamlin, Larry

American, active late 20th century

Displaying 157 - 168 of 170

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  • The image shows a series of intersecting vertical and horizontal lines creating a grid-like pattern with soft edges. It features vibrant colors like light blue, pink, yellow, and green blending smoothly. The arrangement of lines and colors vaguely resembles a building facade with windows or an aerial view of city streets. The colors may evoke city lights or reflections on water, giving a sense of familiarity despite the abstract nature.

    City Edge [working proof 21]

    Wayne Thiebaud, Lawrence J. Hamlin

    1988

    Color spit bite aquatint and soft ground etching on wove somerset paper [working proof 21]  Accession ID  2024.132.709

    Not on view
  • This is a painting of a van on a road with a colorful sky in the background. The painting depicts the back view of a van traveling along a road. The use of rich lines and hatching in diverse colors such as blues, yellows, and pinks creates a dynamic sense of movement and texture. The sky is a blend of warm and cool colors. The composition uses perspective to focus on the van as it heads towards the horizon, emphasizing movement and the passage of time.

    Van [working proof 18]

    Wayne Thiebaud, Lawrence J. Hamlin

    1988

    Color drypoint on wove somerset paper [working proof 18]  Accession ID  2024.132.705

    Not on view
  • ""

    Between Vertical and Horizon - Descended Triangle - Square (Black)

    Shoichi Ida, Lawrence J. Hamlin, Crown Point Press

    1987

    Spitbite aquatint, aquatint, and drypoint on chine collé on somerset satin paper  Accession ID  1997.8.85

    Not on view
  • The image shows geometric shapes and lines in blue with thin red lines intersecting throughout. Horizontal and diagonal lines crisscross the canvas, while rectangular and triangular shapes interlock to create an abstract composition. The overall design resembles a blueprint or technical drawing. The use of abstract design may evoke comparisons to architectural elements or mechanical components.

    Green (working proof 3)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Spitbite aquatint in blue and drypoint in red on wove paper  Accession ID  2014.115.2

    Not on view
  • This print displays geometric shapes with linear patterns and bold colors. It includes a large green shape in the center bordered by blue and gray sections, including a triangular curve near the lower left corner. There are also horizontal stripes of orange and tan and a small triangle of red. The print is surrounded by a border of off-white paper.

    Green

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color spitbite aquatint, soapground aquatint, and drypoint on somerset paper  Accession ID  1996.77.77

    Not on view
  • The image contains a large circle filled with swirling lines, set against a backdrop of chaotic, crosshatched strokes. The composition is abstract, with the yellow circle resembling a glowing sun, surrounded by a texture-laden sky. The contrasting dark background and dense lines within the circle create a scene reminiscent of a celestial body in space.

    Out of Orbit

    Robert Hudson, Lawrence J. Hamlin, Crown Point Press

    1986

    Color aquatint, drypoint, hardground etching, and spitbite aquatint on somerset satin paper  Accession ID  1998.40.192

    Not on view
  • The image shows an arrangement of geometric shapes, including rectangles and triangles, intersecting and overlaying in an abstract composition. The dominant colors are green, deep orange, and vivid blue. Lines and arcs of red and green weave throughout, creating an intricate network. At the bottom, a gentle arc cuts through the green against a gradient of colors.

    Green (working proof 6)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color drypoint, etching, spitbite aquatint, and soapground aquatint on wove paper  Accession ID  2014.116.56

    Not on view
  • The image shows a composition of geometric shapes and intersecting lines forming a pattern. It features a large abstract field of green covering most of the canvas, bordered with blocks of vibrant blue and golden yellow at the top. A parallel strip of muted beige is at the lower edge, and a curve of dark indigo is at the bottom left. Fine lines weave throughout the image in diagonals and verticals.

    Green (working proof 4)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color spitbite aquatint, soapground aquatint, and drypoint with pasted-down elements on wove paper  Accession ID  2014.115.3

    Not on view
  • The image features a large green rectangle in the foreground with smaller geometric shapes at the top. Various abstract lines, forms, a semicircle, and triangular segments are also visible. A curved white shape appears near the bottom. Rectangular shapes in blue and brown are present at the top.

    Green (working proof 5)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color soapground aquatint and spitbite aquatint on wove paper  Accession ID  2014.116.57

    Not on view
  • ""

    River

    Robert Hudson, Lawrence J. Hamlin, Crown Point Press

    1986

    Soapground aquatint on somerset paper  Accession ID  1997.8.67

    Not on view
  • The image displays thin intersecting lines and shapes on a white background, forming an abstract composition. The lines include a shape similar to an infinity symbol, along with triangular and rectangular shapes resembling a kite and a window pane.

    Green (working proof 1)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Drypoint in black on wove paper  Accession ID  2014.116.55

    Not on view
  • The image shows an abstract composition consisting of geometric shapes and lines in various shades of gray and white. The interplay of rectangles, triangles, and diagonal strokes creates a complex structure reminiscent of a blueprint or architectural plan. Some areas suggest window panes or building sections, while the repetition and layering of shapes add depth. Parts of the composition resemble folded paper corners, enhancing the abstract nature of the artwork.

    Green (working proof 2)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Drypoint in black with gray wash and pasted-down elements on wove paper  Accession ID  2014.115.1

    Not on view