Case Hudson

American, born 1968

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  • The image shows a diagonal rectangle in a gradient of green on a light beige background. The shape cuts across the composition with a slanted position.

    GREEN, No. 4 (Joining) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.4

    Not on view
  • In the center is a vertically oriented rectangle divided horizontally into two sections. The top portion is a smooth, solid color, while the bottom half is textured with a speckled pattern resembling fine droplets or grains. The overall color is a muted green.

    GREEN, No. 5 (Not Dropping) from Purple

    Richard Tuttle, Crown Point Press, Case Hudson, Dena Schuckit, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.5

    Not on view
  • The image shows abstract shapes and lines, including concentric circles radiating from a central point and intersecting with stepped, jagged lines. The design resembles a sun with rays and gears. Below, a smaller shape resembling a winged figure appears in flight.

    Flight from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.9

    Not on view
  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view
  • The image displays bold black lines and swirls on a tan and orange background. The lines create a circular shape with one resembling a trunk. A circular orange form is on the left side, and a rectangular shape is visible in the top right.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.2

    Not on view
  • The image contains irregular, jagged blue shapes against a soft, beige background, creating an abstract pattern across the canvas. The blue shapes resemble flowing waterways or continent outlines, while the beige background resembles a cloudy sky or patches of ice. The colors and shapes interact to create abstract geographical formations, suggesting a view from above.

    Trial Pattern: Sky

    Gay Outlaw, Case Hudson, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color softground etching with sugarlift aquatint and aquatint on wove somerset paper  Accession ID  2006.122.82

    Not on view
  • The image shows a semi-circular shape in muted brown tones on a horizontal plane, intersected by a dark and textured formation in the center. A bright blue diagonal strip extends from this formation, resembling a waterfall. At the bottom, there is a small pyramid-like arrangement of light gray blocks. The composition is abstract and open to interpretation.

    No. 1 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Color aquatint, drypoint, and etching from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.1

    Not on view
  • The image features a large white background with abstract shapes and lines. In the upper right area, a bright yellow square partially overlaps a soft gray form, intersected by a diagonal, pale yellow line. At the bottom of the image, small, gray, pixel-like squares form a pyramid shape. The composition is abstract and sparse, with much of the canvas open.

    No. 6 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.6

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • The image shows an arrangement of shapes and lines on a mostly blank canvas. In the upper center, there is an abstract composition with a lavender semicircle adjacent to a grey square, linked by a lighter grey horizontal line. Towards the bottom of the canvas, there is a small abstract pyramid shape comprised of stacked rectangular blocks.

    No. 4 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Paul Mullowney, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.4

    Not on view
  • The image shows three vertical rectangles placed next to each other. Each rectangle is filled with a gradient of colors that subtly shift across the shapes. The artwork has an abstract composition, suggesting changing lights and shadows. The transitions within each rectangle can be likened to various times of day, such as a foggy morning or dusk.

    Summer Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.5

    Not on view