Case Hudson

American, born 1968

Displaying 169 - 180 of 292

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  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • The image shows three vertical rectangles placed next to each other. Each rectangle is filled with a gradient of colors that subtly shift across the shapes. The artwork has an abstract composition, suggesting changing lights and shadows. The transitions within each rectangle can be likened to various times of day, such as a foggy morning or dusk.

    Summer Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.5

    Not on view
  • The image displays a green triangular shape with a rounded top. Below it, there are gray stacked blocks arranged symmetrically. The composition is minimalistic with ample negative space.

    No. 2 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Paul Mullowney, Case Hudson, Dena Schuckit

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.2

    Not on view
  • The image displays three vertically oriented rectangular shapes side by side, each filled with a gradient of a different color. The rectangles are in muted golden-brown, rich reddish-brown, and vibrant green hues.

    Spring Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.4

    Not on view
  • ""

    Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Portfolio of eight color aquatints and etchings (one with drypoint) on wove somerset paper  Accession ID  2006.122.156.1-8

    Not on view
  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • Three vertical rectangular shapes are placed side by side, creating a triptych effect. Each rectangle features a gradient of muted colors: beige, dark green, and a blend of soft purple and reddish tones. The rectangles resemble painted windowpanes, providing a view as if through translucent panels.

    Winter Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.22

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • The image displays a series of interlocking zigzag lines forming a pattern of jagged shapes. The abstract composition creates an intricate tapestry that could resemble a maze or road map. The lines interweave and overlap, drawing the eye through a convoluted journey that echoes the appearance of tree branches or lightning strikes against a contrasting background.

    Loops & Curves Blue/Red

    Sol LeWitt, Crown Point Press, Rachel Fuller, Case Hudson, Daria Sywulak, Dena Schuckit

    1999

    Color sugarlift aquatint with aquatint on somerset textured paper  Accession ID  2001.142.62

    Not on view
  • The image displays flowing, curved lines within a rectangular frame. The design resembles waves or strands of hair, creating movement. The lines are drawn in a continuous and organic manner, evoking cascading waterfalls or wood grain patterns.

    Eight Small Etchings/Black & White No. 2

    Sol LeWitt, Crown Point Press, Rachel Fuller, Dena Schuckit, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.66.2

    Not on view
  • The image displays wavy, free-flowing lines that weave and undulate across the surface, creating an intricate abstract pattern. The lines resemble contours on a topographic map or natural ripples and grains in wood. The shapes interlock and overlap, resembling the flow of liquid or wind patterns across a landscape.

    Eight Small Etchings/Black & White No. 3

    Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit, Daria Sywulak

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.66.3

    Not on view