Case Hudson

American, born 1968

Displaying 25 - 36 of 292

Results

  • ""

    Soft Ground Etching—Yellow

    Bruce Nauman, Jonathan Cross, Case Hudson, Gemini G.E.L.

    2006

    Softground etching and aquatint in yellow and black on somerset satin wove paper  Accession ID  2015.23.59

    Not on view
  • ""

    Soft Ground Etching—Lavender

    Bruce Nauman, Xavier Fumat, Case Hudson, Gemini G.E.L.

    2006

    Softground etching and aquatint in pink and black on somerset satin wove paper  Accession ID  2015.23.58

    Not on view
  • ""

    Between the Torus and the Sphere II

    Richard Serra, Erik Beehn, Jonathan Cross, Xavier Fumat, Case Hudson, Gemini G.E.L.

    2006

    Photo-etching in black on fabriano print satin wove paper  Accession ID  2015.23.113

    Not on view
  • ""

    Soft Ground Etching—Blue

    Bruce Nauman, Jonathan Cross, Case Hudson, Gemini G.E.L.

    2006

    Softground etching and aquatint in blue and black on somerset satin wove paper  Accession ID  2015.23.60

    Not on view
  • In the center of the composition is a small square filled with a grid-like texture. The texture creates an abstract pattern with thin, vertical blue shapes. These blue forms resemble drops of water or slender petals scattered across a dark linen-like background. The surrounding area is a vast expanse of white, emphasizing the central textured section and making the blue elements appear as isolated features in a minimalist design.

    U from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.21

    Not on view
  • In the image, there is a large red arrow pointing to the left. It is accompanied by smaller circular sections in blue and black that overlay the arrow. The composition forms an abstract shape within a square area on a white background.

    O from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.15

    Not on view
  • There is a small square in the center of the image containing abstract shapes - two black rectangular forms and an irregular green form. The shapes may suggest a minimalist landscape or a simplified representation of a street scene. The use of abstract shapes explores simple forms resembling familiar objects. The white background highlights the subtlety and openness of the composition.

    Z from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.26

    Not on view
  • In the image, there is a small square with intersecting vertical and horizontal lines in red, yellow, and blue. The lines create an abstract arrangement in a grid-like fashion. The lines are textured and sketched, giving a playful asymmetry to the composition. The rest of the image is blank, highlighting the colorful square.

    W from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.23

    Not on view
  • The image shows a cluster of dark round shapes with varying sizes radiating outward from the center on an orange background. The composition resembles an explosion effect, with the central mass densely packed with black circular forms that gradually decrease in size and density as they spread outward.

    Bang

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Color aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.158

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • A square in the center of the image contains dense black lines converging towards a narrow vertical line. The lines create a triangular shape that leads to an inverted funnel-like form. The surrounding space on the page emphasizes the compact, centralized nature of the geometric figure.

    G from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.7

    Not on view
  • The image displays irregular dark blotches scattered across a light background, with smaller specks spreading out concentrically, creating an abstract pattern.

    Study for Arise! [working proof 1]

    Fred Wilson, Case Hudson

    2004

    Spit bite aquatint in black and orange on wove somerset paper [working proof 1]  Accession ID  2024.132.745

    Not on view