Case Hudson

American, born 1968

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  • The image displays an abstract composition with two circular clusters of black spots on a white canvas. Around these clusters are smaller splatters and dots. Speech bubbles with text are scattered throughout the composition.

    Arise!

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Spitbite aquatint in black with direct gravure on wove somerset paper  Accession ID  2006.122.157

    Not on view
  • The image features a small square in the center with diagonal lines to create a textured background. Over the lines are four colorful, curved shapes: two yellow, one green, and one blue. The shapes resemble small, vibrant sails or petals on a lightly shaded area against a white space background.

    P from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.16

    Not on view
  • The image features a small square containing abstract shapes and lines, resembling colorful clouds or ink blots in blue, red, and yellow. Three thin, parallel lines run horizontally across the shapes, creating a sense of separation or connection. The minimalist composition contrasts the vibrant center against a large white background.

    H from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.8

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • In the center of the composition is a small square filled with a grid-like texture. The texture creates an abstract pattern with thin, vertical blue shapes. These blue forms resemble drops of water or slender petals scattered across a dark linen-like background. The surrounding area is a vast expanse of white, emphasizing the central textured section and making the blue elements appear as isolated features in a minimalist design.

    U from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.21

    Not on view
  • In an expanse of white space sits a small, square area containing an abstract circular shape. The circle is filled in with a dense black pattern resembling a mesh or netting and has irregular, jagged edges that break the clean boundary of the circle. The abstract form is highlighted in the minimal surroundings.

    Q from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.17

    Not on view
  • The image features an abstract design composed of curved and straight lines. The curved section is filled with horizontal bands of blue and orange. It is bordered by a thick black line, resembling the outline of a segmented shell or fan. The composition is placed within a small square against a white background.

    Y from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.25

    Not on view
  • In the image, there is a large red arrow pointing to the left. It is accompanied by smaller circular sections in blue and black that overlay the arrow. The composition forms an abstract shape within a square area on a white background.

    O from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.15

    Not on view
  • The image consists of circular shapes and dots of different sizes spread across the canvas. The arrangement transitions from darker edges to a lighter center. The composition evokes a cosmic night sky or a cluster of pebbles. The patterns suggest similarities to starry universes or microscopic cellular structures.

    We Are All in the Gutter, But Some of Us are Looking at the Stars

    Fred Wilson, Crown Point Press, Rachel Stevenson, Case Hudson

    2004

    Spitbite aquatint in black on wove somerset paper  Accession ID  2006.122.162

    Not on view
  • There is a small square in the center of the image containing abstract shapes - two black rectangular forms and an irregular green form. The shapes may suggest a minimalist landscape or a simplified representation of a street scene. The use of abstract shapes explores simple forms resembling familiar objects. The white background highlights the subtlety and openness of the composition.

    Z from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.26

    Not on view
  • There is a small square in the center with a horizontal line of irregular, abstract shapes resembling clustered dots or dashes. The line looks like a stitch pattern or tiny interconnected leaves on a white canvas. The focus is on this singular detail.

    E from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.5

    Not on view
  • The image features a small square with an abstract shape made of dotted lines and solid areas resembling an open padlock. The central figure is isolated on a plain white background, highlighting its abstract quality. The form resembles a padlock, suggesting a familiar object embedded within an abstract representation.

    A from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Etching and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.1

    Not on view