Rachel Fuller

American, active late 20th century

Displaying 1 - 12 of 163

Results

  • ""

    Naked X

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.142

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • This image features a long, vertical line on the left side, accompanied by evenly distributed dotted patterns throughout. A dark blue abstract blotch is positioned on the right side. The background transitions from green at the bottom to light orange at the top.

    Mixed Marks, Grid and Ink Blot

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint with softground etching on wove somerset paper  Accession ID  2006.122.127

    Not on view
  • ""

    Naked I

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with foul biting and hand staining on japanese hosho paper  Accession ID  2011.119.133

    Not on view
  • The image shows red and blue streaks and lines moving diagonally across the canvas. The abstract composition includes vertical streams resembling paint or ink trails. The arrangement suggests a flow of liquid, like a river or cascading water, with splashes indicating organic movement. The lines and splatters interact with color and texture against a lightly colored background.

    Mixed Marks, Double Mark

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.125

    Not on view
  • The image displays two rectangular sections. The top rectangle is filled with various blue hues creating an abstract sky-like appearance with soft, cloud-like patterns. Below, a green rectangle is filled with dense, textural line patterns resembling grass or a field in an abstract manner. The image represents a simplified abstract depiction of sky and land using bold colors and textures to create connections to a horizon landscape.

    Mixed Marks, Landscape

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color spitbite aquatint with etching on wove somerset paper  Accession ID  2006.122.128

    Not on view
  • The image shows a bold, sweeping red arc on a textured light blue background. The arc is accompanied by crackles and scattered red spots.

    Mixed Marks, ARC

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.124

    Not on view
  • ""

    Naked V

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with foul biting and hand staining on japanese senka-shi paper  Accession ID  2011.119.138

    Not on view
  • ""

    Naked VII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground and softground etching with hand staining on japanese hosho paper  Accession ID  2011.119.140

    Not on view
  • ""

    Naked III

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and dyed string chine collé printed on japanese senka-shi and hosho papers  Accession ID  2011.119.135

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view