Rachel Fuller

American, active late 20th century

Displaying 37 - 48 of 163

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  • The image displays white lines and curves on a deep blue background. The lines create tangled, looping shapes, along with circular shapes and numerical annotations.

    Leonardo IKB

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Direct gravure in blue on somerset paper  Accession ID  2006.122.54

    Not on view
  • The image shows a landscape viewed from an elevated perspective. A road curves through the scene, with the horizon high near the top. Fields stretch into the distance, with a line of trees and a distant structure at the horizon. The brushstrokes are meticulous, suggesting texture and depth in the fields and road. The color palette is warm and earthy, with soft yellows, browns, and greens. The road is bordered by a dark bank, leading the eye towards the winding path and the cultivated land beyond.

    Hill River

    Wayne Thiebaud, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2002

    Color drypoint with direct gravure and spitbite aquatint on wove somerset paper  Accession ID  2006.122.149

    Not on view
  • The image shows intersecting lines and shapes, with a central vertical yellow trapezoid surrounded by black lines forming geometric shapes. The design resembles a stylized doorway or folded paper. The composition features simple geometric forms and a single splash of color, creating an abstract and minimalist artwork.

    A Door Must Be Either Open or Closed

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Drypoint printed in black ink with aquatint printed in yellow ink on somerset paper  Accession ID  2006.122.50

    Not on view
  • The image shows a box with a star on its side, with several toy-like figures emerging from it, including a rabbit, a person with a pig nose, and a clown-like figure with a hat. The color palette includes shades of cream, brown, and black. The box is placed centrally on a surface with vertical lines, while the figures appear to be coming out from the top. In the background, diagonal lines form a shaded pattern that adds depth to the scene.

    Toy Box

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller

    2002

    Etching with aquatint in black on wove somerset paper  Accession ID  2006.122.152

    Not on view
  • The image shows an abstract composition with a rectangular shape having rounded corners. In the center, there are densely packed vertical and slightly curved lines forming a dark vertical band. Surrounding this central element are scattered, smudged, and sparse horizontal lines and shapes. The overall composition maintains balance between the central vertical element and the lighter surrounding areas.

    Drawing a Line (An Ounce of Gold)

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color drypoint with aquatint on somerset paper  Accession ID  2006.122.51

    Not on view
  • The image depicts an aerial view of a river running through a landscape. The scene is portrayed in a style resembling hand-drawn illustration with linear brushstrokes. The horizon is visible near the top of the image, showing fields, trees, and a bridge. The foreground shows dark, textured ground representing cultivated fields. A road runs alongside the river, which is highlighted in pale blue. The color palette is minimal with black, white, and soft blue tones.

    Dark Hill River

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Drypoint with direct gravure and spitbite aquatint in black and blue on wove somerset paper  Accession ID  2006.122.147

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view
  • The image shows a landscape with an island in the center. The horizon cuts across the middle, with trees and structures visible on the island. The artwork features clean brushstrokes, reflecting still water. The top of the image is dark, contrasting with the muted greens and blues below. Deep greens and blues dominate the scene, creating a calm visual impact.

    Carrera

    Peter Doig, Dena Schuckit, Rachel Fuller, Case Hudson, Crown Point Press

    2002

    Color spitbite aquatint with aquatint and etching and softground etching on lana gravure paper  Accession ID  2006.122.32

    Not on view
  • The image displays an aerial view of agricultural fields dominating the landscape. The horizon is high on the image, showing rolling hills and distant farm buildings. Brushstrokes are deliberate and textural, creating movement and patterns across the fields. The color palette is warm and earthy, with yellows dominating the sky and various shades of brown, ochre, and deep indigo defining the fields. A large tree stands prominently in the foreground, surrounded by cultivated fields with orderly rows and patterns. The terrain gently undulates, creating a patchwork quilt of textures as the fields extend into the distance.

    River and Farms

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Color direct gravure with drypoint on wove somerset paper  Accession ID  2006.122.151

    Not on view
  • The image displays a series of black horizontal and vertical lines intersecting to form a grid-like pattern, creating rectangles and squares. A single yellow rectangle is located in the lower right corner against a white background. The composition resembles a blueprint or city skyline, with the yellow rectangle potentially representing a lit window in a building.

    Mondrian

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Direct gravure with aquatint printed in black and yellow inks on somerset paper  Accession ID  2006.122.55

    Not on view
  • ""

    Bay

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2002

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.95

    Not on view
  • ""

    From the Boat: Constellation

    Pat Steir, Rachel Fuller, Case Hudson, Catherine Brooks, Crown Point Press

    2002

    Color soapground and sugarlift aquatint with drypoint on wove somerset paper  Accession ID  2006.122.118

    Not on view