Rachel Fuller

American, active late 20th century

Displaying 61 - 72 of 163

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  • ""

    Gaze

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.98

    Not on view
  • The image displays intersecting lines forming a grid pattern, resembling a city map. The lines vary in thickness and direction. Names like "LA BREA," "POWELL," "BEVERLY," and "OFARRELL" are next to the lines. The intersections suggest urban environments or neighborhoods. The lines create an abstract depiction of a city plan.

    La Brea, Powell from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.4

    Not on view
  • This is a painting depicting surreal imagery involving a scorpion and an abstract shape. The composition features two distinct sections placed vertically. The top section displays an abstract, organic shape resembling an elongated form with tendrils, rendered in a monochromatic, sepia-like palette. The lower section presents a mythical or surreal scene with a person-like figure with long hair crouched in an unusual position on top of a large creature resembling a scorpion with exaggerated features. The style is reminiscent of Frida Kahlo, known for surreal and symbolic imagery. The overall tone is muted, with earthy colors and a textural, painterly effect creating a dream-like and other-worldly mood.

    Heist from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.3

    Not on view
  • This is a painting of an abstract composition with mirrored figures. The artwork showcases two mirrored figures facing each other with abstract strokes of blue and brown colors connecting them. The background is neutral, highlighting the contrast and interaction between the rendered elements and the abstract forms.

    Entangled from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.2

    Not on view
  • This is a photograph of a book cover. The cover features a light grey background with the word "Purple" in a bold purple font above the name "Richard Tuttle" in a similar purple font, slightly smaller. The design is minimalistic and focuses on the text, highlighting the title and author without additional imagery. The layout is clean and straightforward, emphasizing the text.

    Purple

    Richard Tuttle, Dena Schuckit, Case Hudson, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1-7

    Not on view
  • ""

    Copper Plate Nudes II (1)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.66

    Not on view
  • The image depicts a silhouette of a person's full body in a standing position. The silhouette shows one arm raised and bent over the head, while the other arm hangs by the side. The figure has a slightly turned posture, emphasizing the curve of the torso and hips. Specific facial features are not visible, and the hair appears short. The figure is depicted in a monochromatic brown wash without clothing details. The background is a light beige color.

    Copper Plate Nudes II (8)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint on wove somerset paper  Accession ID  2006.122.73

    Not on view
  • In the center is a vertically oriented rectangle divided horizontally into two sections. The top portion is a smooth, solid color, while the bottom half is textured with a speckled pattern resembling fine droplets or grains. The overall color is a muted green.

    GREEN, No. 5 (Not Dropping) from Purple

    Richard Tuttle, Crown Point Press, Case Hudson, Dena Schuckit, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.5

    Not on view
  • The image displays diagonal lines forming a grid, intersected by red and blue lines. There are street names like "WEBSTER," "FILLMORE," "STEINER," and "PIERCE" printed along the lines, resembling a map or street grid layout.

    Sunset, Pierce from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.5

    Not on view
  • The image shows a low angle view of a landscape with mountains in the blurred background. The horizon line is positioned low in the composition. Softly graduated blue sky fills the background. The painting features smooth brushstrokes in a minimalist style. The color palette is subtle, primarily blues and browns.

    Silhouette

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color photogravure and aquatint on wove somerset paper  Accession ID  2006.122.99

    Not on view
  • The image shows lines and shapes forming letters spelling out names of cities on a beige canvas. The names include "LOS ANGELES" and "SAN FRANCISCO," blending into the background. The composition contrasts slightly darker letters with the canvas texture to suggest abstraction and evoke the skyline silhouettes of these cities.

    Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color softground etchings  Accession ID  2006.122.110.1-7

    Not on view
  • The image features two vertical rectangular shapes placed side by side on a plain background. The larger rectangle on the right is filled with a solid green color, while the smaller rectangle to its left is a lighter shade of green.

    GREEN, No. 2 (Jump) from Purple

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.2

    Not on view