Rachel Fuller

American, active late 20th century

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  • The image displays an aerial view of agricultural fields dominating the landscape. The horizon is high on the image, showing rolling hills and distant farm buildings. Brushstrokes are deliberate and textural, creating movement and patterns across the fields. The color palette is warm and earthy, with yellows dominating the sky and various shades of brown, ochre, and deep indigo defining the fields. A large tree stands prominently in the foreground, surrounded by cultivated fields with orderly rows and patterns. The terrain gently undulates, creating a patchwork quilt of textures as the fields extend into the distance.

    River and Farms

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Color direct gravure with drypoint on wove somerset paper  Accession ID  2006.122.151

    Not on view
  • The image shows intersecting lines and shapes, with a central vertical yellow trapezoid surrounded by black lines forming geometric shapes. The design resembles a stylized doorway or folded paper. The composition features simple geometric forms and a single splash of color, creating an abstract and minimalist artwork.

    A Door Must Be Either Open or Closed

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Drypoint printed in black ink with aquatint printed in yellow ink on somerset paper  Accession ID  2006.122.50

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view
  • ""

    From the Boat: Comet [working proof 2]

    Pat Steir, Rachel Fuller

    2002

    Color sugar lift and spit bite aquatints on somerset paper (wp 2 – color proof, close to edition, red is darker in this proof than edition)  Accession ID  2024.132.669

    Not on view
  • The image shows a landscape viewed from an elevated perspective. A road curves through the scene, with the horizon high near the top. Fields stretch into the distance, with a line of trees and a distant structure at the horizon. The brushstrokes are meticulous, suggesting texture and depth in the fields and road. The color palette is warm and earthy, with soft yellows, browns, and greens. The road is bordered by a dark bank, leading the eye towards the winding path and the cultivated land beyond.

    Hill River

    Wayne Thiebaud, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2002

    Color drypoint with direct gravure and spitbite aquatint on wove somerset paper  Accession ID  2006.122.149

    Not on view
  • The image shows two individuals standing outside. The person on the left is wearing a black suit with a high collar, a hat with a red plume, and holding an object in their left hand. The person on the right is wearing a loose-fitting garment with a tall hat. In the background, there is a picket fence and some kind of structure. The scene is set in a grassy field with a serene sky.

    Guest House

    Peter Doig, Dena Schuckit, Rachel Fuller, Case Hudson, Crown Point Press

    2002

    Color sugarlift and spitbite aquatint with aquatint and drypoint on lana gravure paper  Accession ID  2006.122.35

    Not on view
  • This is a photograph of a book cover. The cover features a light grey background with the word "Purple" in a bold purple font above the name "Richard Tuttle" in a similar purple font, slightly smaller. The design is minimalistic and focuses on the text, highlighting the title and author without additional imagery. The layout is clean and straightforward, emphasizing the text.

    Purple

    Richard Tuttle, Dena Schuckit, Case Hudson, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1-7

    Not on view
  • The image shows the outline of a person standing sideways, facing to the right. The figure is in a pink hue against a beige background. There are no facial features or detailed clothing visible. The background is plain with subtle texture. The artist's signature and date are at the bottom.

    Copper Plate Nudes II (2)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.67

    Not on view
  • The image depicts a silhouette of a person's full body in a standing position. The silhouette shows one arm raised and bent over the head, while the other arm hangs by the side. The figure has a slightly turned posture, emphasizing the curve of the torso and hips. Specific facial features are not visible, and the hair appears short. The figure is depicted in a monochromatic brown wash without clothing details. The background is a light beige color.

    Copper Plate Nudes II (8)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint on wove somerset paper  Accession ID  2006.122.73

    Not on view
  • The image shows soft, organic forms with curved lines creating an abstract impression on the canvas. The arrangement of these shapes suggests the outline of a figure bent over. The earthy tones add to the abstract nature.

    Copper Plate Nudes II (6)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, chine collé and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.71

    Not on view
  • The image shows a silhouette of an individual with a partial body obscured by a soft shadow. The person appears to be leaning slightly with one arm raised overhead. Face and hair details are not discernible, with only a faint outline. The clothing suggests a long garment, like a coat or dress. No visible jewelry or objects are present. The background is a flat, textured surface in a muted brown-orange color with speckles and scratches.

    Copper Plate Nudes II (3)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.68

    Not on view
  • ""

    Copper Plate Nudes II (1)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.66

    Not on view