Rachel Fuller

American, active late 20th century

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  • The image displays a dense network of overlapping lines and small circular shapes on a blue background, intersected by a bold red line stretching diagonally across the frame. A green strip is seen along the left edge.

    Summer Pond

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Case Hudson

    2003

    Color etching with spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.140

    Not on view
  • The image displays a large, rectangular shape in a pale turquoise color at the center, surrounded by an off-white margin.

    Gem

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.2

    Not on view
  • ""

    Shape of Water

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Case Hudson

    2003

    Color softground etching with aquatint, spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.134

    Not on view
  • The image displays an aerial view of agricultural fields dominating the landscape. The horizon is high on the image, showing rolling hills and distant farm buildings. Brushstrokes are deliberate and textural, creating movement and patterns across the fields. The color palette is warm and earthy, with yellows dominating the sky and various shades of brown, ochre, and deep indigo defining the fields. A large tree stands prominently in the foreground, surrounded by cultivated fields with orderly rows and patterns. The terrain gently undulates, creating a patchwork quilt of textures as the fields extend into the distance.

    River and Farms

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Color direct gravure with drypoint on wove somerset paper  Accession ID  2006.122.151

    Not on view
  • The image depicts an aerial view of a river running through a landscape. The scene is portrayed in a style resembling hand-drawn illustration with linear brushstrokes. The horizon is visible near the top of the image, showing fields, trees, and a bridge. The foreground shows dark, textured ground representing cultivated fields. A road runs alongside the river, which is highlighted in pale blue. The color palette is minimal with black, white, and soft blue tones.

    Dark Hill River

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Rachel Fuller, Case Hudson

    2002

    Drypoint with direct gravure and spitbite aquatint in black and blue on wove somerset paper  Accession ID  2006.122.147

    Not on view
  • ""

    From the Boat: Rain

    Pat Steir, Rachel Fuller, Case Hudson, Catherine Brooks, Crown Point Press

    2002

    Color soapground aquatint and aquatint with hardground etching and drypoint on wove somerset paper  Accession ID  2006.122.120

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view
  • The image displays white lines and curves on a deep blue background. The lines create tangled, looping shapes, along with circular shapes and numerical annotations.

    Leonardo IKB

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Direct gravure in blue on somerset paper  Accession ID  2006.122.54

    Not on view
  • The image shows an abstract composition with a rectangular shape having rounded corners. In the center, there are densely packed vertical and slightly curved lines forming a dark vertical band. Surrounding this central element are scattered, smudged, and sparse horizontal lines and shapes. The overall composition maintains balance between the central vertical element and the lighter surrounding areas.

    Drawing a Line (An Ounce of Gold)

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color drypoint with aquatint on somerset paper  Accession ID  2006.122.51

    Not on view
  • The image shows a rectangular glass box containing a small pie or tart on a round plate. The color palette includes beige, brown, and green tones, with accents of light orange and teal. The glass box is placed on a horizontal surface, with the pie centered inside.

    Pie Case

    Wayne Thiebaud, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2002

    Color direct gravure with aquatint and drypoint on wove somerset paper  Accession ID  2006.122.150

    Not on view
  • ""

    From the Boat: Comet [working proof 1]

    Pat Steir, Rachel Fuller

    2002

    Color sugar lift and spit bite aquatints on somerset paper (wp 1 – black soap ground of two large brushstrokes)  Accession ID  2024.132.668

    Not on view
  • The image shows intersecting lines and shapes, with a central vertical yellow trapezoid surrounded by black lines forming geometric shapes. The design resembles a stylized doorway or folded paper. The composition features simple geometric forms and a single splash of color, creating an abstract and minimalist artwork.

    A Door Must Be Either Open or Closed

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Drypoint printed in black ink with aquatint printed in yellow ink on somerset paper  Accession ID  2006.122.50

    Not on view