Rachel Fuller

American, active late 20th century

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  • This is a photograph of a book cover. The cover features a light grey background with the word "Purple" in a bold purple font above the name "Richard Tuttle" in a similar purple font, slightly smaller. The design is minimalistic and focuses on the text, highlighting the title and author without additional imagery. The layout is clean and straightforward, emphasizing the text.

    Purple

    Richard Tuttle, Dena Schuckit, Case Hudson, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1-7

    Not on view
  • The image features two vertical rectangular shapes placed side by side on a plain background. The larger rectangle on the right is filled with a solid green color, while the smaller rectangle to its left is a lighter shade of green.

    GREEN, No. 2 (Jump) from Purple

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.2

    Not on view
  • The image consists of a rectangular shape centered on a textured rectangular background. The central rectangle is horizontal and divided into two sections by sets of parallel lines at the top and bottom. Text within the rectangle reads "GEARY BLVD." at the top and "WILSHIRE" upside-down at the bottom. Lines around the text and subtle color variations within the rectangle suggest aged paper or a vintage map.

    Geary, Wilshire from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.7

    Not on view
  • The image consists of a large, light-colored rectangle with a yellow half-circle positioned at the bottom edge. The artwork has a simple and geometric feel, with the half-circle resembling the sun and the overall composition resembling a minimalist landscape. The empty space surrounding the shapes enhances the abstract quality of the image.

    GREEN, No. 7 (Absence) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2001

    Aquatint in yellow from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.7

    Not on view
  • ""

    Binocular View

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color photogravure on wove somerset paper  Accession ID  2006.122.96

    Not on view
  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view
  • ""

    Copper Plate Nudes II (1)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.66

    Not on view
  • The image shows lines and shapes forming letters spelling out names of cities on a beige canvas. The names include "LOS ANGELES" and "SAN FRANCISCO," blending into the background. The composition contrasts slightly darker letters with the canvas texture to suggest abstraction and evoke the skyline silhouettes of these cities.

    Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color softground etchings  Accession ID  2006.122.110.1-7

    Not on view
  • The image features a series of horizontal and vertical lines forming geometric shapes, such as rectangles and curves, creating an abstract composition. The design includes elements reminiscent of a railing or balcony, and the forms suggest the outline of a building with domed rooftops in the background. There are also faint, delicate shapes that could be interpreted as mythical creatures, resembling a figure with wings.

    Fright from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.8

    Not on view
  • The image shows an arrangement of parallel and intersecting lines forming a grid pattern in different colors. Labels such as "WILSHIRE," "LA BREA," "BEVERLY," and "OFARRELL" are incorporated within the grid. The intersection of colored and black lines creates a design resembling a city map.

    Wilshire, Grant from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.6

    Not on view
  • This is a painting depicting surreal imagery involving a scorpion and an abstract shape. The composition features two distinct sections placed vertically. The top section displays an abstract, organic shape resembling an elongated form with tendrils, rendered in a monochromatic, sepia-like palette. The lower section presents a mythical or surreal scene with a person-like figure with long hair crouched in an unusual position on top of a large creature resembling a scorpion with exaggerated features. The style is reminiscent of Frida Kahlo, known for surreal and symbolic imagery. The overall tone is muted, with earthy colors and a textural, painterly effect creating a dream-like and other-worldly mood.

    Heist from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.3

    Not on view
  • The image displays intersecting lines forming a grid pattern, resembling a city map. The lines vary in thickness and direction. Names like "LA BREA," "POWELL," "BEVERLY," and "OFARRELL" are next to the lines. The intersections suggest urban environments or neighborhoods. The lines create an abstract depiction of a city plan.

    La Brea, Powell from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.4

    Not on view