Rachel Fuller

American, active late 20th century

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  • The image displays meandering wavy lines looping and curving across the canvas, connected by small circular shapes. The background is a soft neutral tone, showcasing the flowing lines and circles.

    Day Light II [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.102.a

    Not on view
  • ""

    Memory

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color spitbite and soapground aquatint on wove somerset paper  Accession ID  2006.122.122

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • ""

    X-1

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.105

    Not on view
  • The image shows intersecting diagonal lines forming a grid pattern with soft, blurred edges. The lines create an abstract composition resembling a web or net filled with circular nodes. The circles vary in size and are reminiscent of bubbles or pebbles on sand. The overall effect is an ethereal and delicate network, suggesting a subtle connection or pathway woven across the frame.

    Day Light I [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.a

    Not on view
  • The image shows irregular vertical and wavy lines forming an abstract pattern resembling wood grain. The colors used are brown, rusty, and lighter shades, creating a textured appearance similar to tree bark or a weathered wooden surface.

    Night Light I [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.b

    Not on view
  • The image features a large white background with abstract shapes and lines. In the upper right area, a bright yellow square partially overlaps a soft gray form, intersected by a diagonal, pale yellow line. At the bottom of the image, small, gray, pixel-like squares form a pyramid shape. The composition is abstract and sparse, with much of the canvas open.

    No. 6 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.6

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • ""

    A Walk in the Woods

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color soapground and sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.143

    Not on view
  • ""

    Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Portfolio of eight color aquatints and etchings (one with drypoint) on wove somerset paper  Accession ID  2006.122.156.1-8

    Not on view
  • The image shows intersecting vertical and horizontal lines forming a grid-like pattern. The lines vary in spacing and thickness. Large teardrop-shaped forms are dispersed throughout the grid.

    Element A [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.a

    Not on view
  • ""

    Milky Way

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color aquatint with sugarlift and spitbite aquatint on wove somerset paper  Accession ID  2006.122.123

    Not on view