Rachel Fuller

American, active late 20th century

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    I Love You Woman

    Janis Provisor, Case Hudson, Dena Schuckit, Rachel Fuller, Crown Point Press

    1999

    Color spitbite and sugarlift aquatint with aquatint and direct gravure on gampi chine collé on wove somerset paper  Accession ID  2006.122.92

    Not on view
  • The image contains a large white space with an arrangement of small, black crosses aligned horizontally across the upper center. At the bottom of the image, there is a red upside-down, U-shaped geometric form. An abstract yellowish-brown rectangle is positioned on the right side of the white space.

    Any 2 Points: No. 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Daria Sywulak, Brian Shure

    1999

    Color woodcut with aquatint, engraving, and drypoint on somerset textured paper  Accession ID  2001.142.105.7

    Not on view
  • The image depicts geometric shapes arranged in a central composition. The shapes include a black square on top of two horizontal rectangles, one red and one pale yellow. There is also a faint outline of a larger, irregular rectangle behind the black square. The design may evoke familiar objects like a city skyline or a flag. The artwork emphasizes clean lines and bold colors.

    Any 2 Points: No. 6

    Richard Tuttle, Crown Point Press, Dena Schuckit, Daria Sywulak, Rachel Fuller, Brian Shure

    1999

    Color aquatint with woodcut and drypoint on somerset textured paper  Accession ID  2001.142.105.6

    Not on view
  • A black line forms a square against a textured white background. The composition highlights the symmetry and contrast between the line and background.

    Small Etchings/Black & White

    Sol LeWitt, Crown Point Press, Daria Sywulak, Case Hudson, Rachel Fuller, Dena Schuckit

    1999

    Portfolio of eight hardground etchings and title page on somerset textured white paper  Accession ID  2001.142.66.1-8

    Not on view
  • The image displays a network of swirling, undulating lines that form an abstract pattern across a square canvas. The lines twist and turn in various directions, creating a dense and intricate design. Nested loops and waves fill the space, with each section different from the others.

    Eight Small Etchings/Black & White No. 8

    Sol LeWitt, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.66.8

    Not on view
  • The image shows numerous small white dots spread out on a dark background, creating an abstract composition. The dots resemble a starry night sky, evoking thoughts of constellations or cosmic patterns. The density of the dots differs throughout the image, with some areas having dense clusters like a galaxy, while others are sparsely scattered like distant stars in space.

    Taking Flight

    Tom Marioni, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit

    2000

    Color woodcut on hosho mounted on stonehenge paper  Accession ID  2001.142.78

    Not on view
  • The image shows a complex network of wavy lines in different colors such as red, yellow, blue, and black. The composition appears like a tangled web of threads or ropes woven together. The lines create an interwoven pattern that may evoke thoughts of a lively carnival or a dense forest seen from a distance.

    Eight Small Etchings/Color No. 5

    Sol LeWitt, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.5

    Not on view
  • The image displays a square frame filled with a network of wavy lines in various colors—black, red, blue, and yellow. The lines intersect, forming a grid-like pattern that appears to be in motion.

    Eight Small Etchings/Color No. 6

    Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit, Daria Sywulak

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.6

    Not on view
  • The image displays a dense network of overlapping, curved lines in a rectangular arrangement. The lines vary in color, including red, yellow, blue, and black, weaving through one another.

    Eight Small Etchings/Color No. 8

    Sol LeWitt, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.8

    Not on view
  • The image shows wavy, undulating lines forming an intricate pattern. The design conveys a sense of movement. The shapes look like winding paths or flowing water currents, resembling zebra stripes intertwined. The contrast between the black lines and the white background creates depth and texture.

    Black Loops & Curves No. 3

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller, Daria Sywulak

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.49

    Not on view
  • The image shows two vertical rectangles, one dark purple and the other deep red, positioned parallel to each other and slightly overlapping on a white background.

    Any 2 Points: No. 5

    Richard Tuttle, Crown Point Press, Rachel Fuller, Daria Sywulak, Brian Shure, Dena Schuckit

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.5

    Not on view
  • The image shows organic lines and brushstrokes intersecting to form a cross shape in the center. The artwork features overlapping lines and shapes, resembling a loosely woven fabric or a complex network. Horizontal and vertical lines create a swirling pattern against a gradient backdrop of muted beige to deep red.

    Mandarin Love Note

    Janis Provisor, Case Hudson, Dena Schuckit, Daria Sywulak, Rachel Fuller, Crown Point Press

    1999

    Color hardground etching, spitbite aquatint, drypoint and direct gravure with gampi chine collé on wove somerset paper  Accession ID  2006.122.93

    Not on view