Rachel Fuller

American, active late 20th century

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  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view
  • The image shows a triangular form with flowing lines intersecting at various angles. The abstract shape resembles a shadowy figure. The background has horizontal lines resembling wood grain. The color palette and shadowy forms give the impression of a silhouette on a wooden surface.

    Copper Plate Nudes II (4)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.69

    Not on view
  • This image features a small vertical strip of vibrant yellow and purple intersecting shapes near the center of its top portion. Below is a minimalistic arrangement of gray squares creating an ascending step-like form.

    No. 7 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Case Hudson, Rachel Fuller

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.7

    Not on view
  • The image shows a variety of overlapping, textured lines and blotchy shapes on a dark background. The abstract artwork has a textured appearance, resembling clouds or a stormy sky. The patterns and formations could be compared to rough stone or animal fur seen up close, suggesting a natural ruggedness.

    Element B [center panel]

    Laurie Reid, Crown Point Press, Dena Schuckit, Rachel Fuller

    2000

    Center panel of 3 parts: color spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.b

    Not on view
  • The image shows a semi-circular shape in muted brown tones on a horizontal plane, intersected by a dark and textured formation in the center. A bright blue diagonal strip extends from this formation, resembling a waterfall. At the bottom, there is a small pyramid-like arrangement of light gray blocks. The composition is abstract and open to interpretation.

    No. 1 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Color aquatint, drypoint, and etching from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.1

    Not on view
  • The image displays a series of interconnected lines and shapes in a V formation across the canvas. The abstract arrangement consists of tangled loops resembling a string of drooping beads or melting icicles, with darker spots interspersed throughout. The undulating forms create symmetry akin to a decorative garland suspended in midair.

    First Verse

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Spitbite aquatint printed in graphite on wove lana gravure paper  Accession ID  2006.122.104

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • The image displays an arrangement of black circles in various sizes scattered in a grid-like pattern on a white background. The circles vary in size and intensity, creating an abstract composition. Some circles seem to fade at the edges while others maintain a consistent intensity.

    Element C [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.c

    Not on view
  • The image displays a green triangular shape with a rounded top. Below it, there are gray stacked blocks arranged symmetrically. The composition is minimalistic with ample negative space.

    No. 2 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Paul Mullowney, Case Hudson, Dena Schuckit

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.2

    Not on view
  • ""

    X-2

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.106

    Not on view
  • The image shows intersecting diagonal lines forming a grid pattern with soft, blurred edges. The lines create an abstract composition resembling a web or net filled with circular nodes. The circles vary in size and are reminiscent of bubbles or pebbles on sand. The overall effect is an ethereal and delicate network, suggesting a subtle connection or pathway woven across the frame.

    Day Light I [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.a

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view