Rachel Fuller

American, active late 20th century

Displaying 145 - 156 of 163

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  • The image shows a dense and intricate network of swirling, multicolored lines contained within a square border, creating an abstract composition. The lines intertwine and overlap, forming a chaotic pattern. The vibrant colors include red, blue, and green, lending the artwork a dynamic and energetic feel.

    Eight Small Etchings/Color No. 4

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.4

    Not on view
  • The image displays a dense web of wavy, multi-colored lines within a square, forming an intricate and abstract pattern. The lines, in shades of red, yellow, blue, and black, interweave to create a chaotic and dynamic visual.

    Eight Small Etchings/Color No. 3

    Sol LeWitt, Crown Point Press, Rachel Fuller, Dena Schuckit, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.3

    Not on view
  • The image shows wavy, undulating lines forming an intricate pattern. The design conveys a sense of movement. The shapes look like winding paths or flowing water currents, resembling zebra stripes intertwined. The contrast between the black lines and the white background creates depth and texture.

    Black Loops & Curves No. 3

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Rachel Fuller, Daria Sywulak

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.49

    Not on view
  • The image shows two vertical rectangles, one dark purple and the other deep red, positioned parallel to each other and slightly overlapping on a white background.

    Any 2 Points: No. 5

    Richard Tuttle, Crown Point Press, Rachel Fuller, Daria Sywulak, Brian Shure, Dena Schuckit

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.5

    Not on view
  • The image shows organic lines and brushstrokes intersecting to form a cross shape in the center. The artwork features overlapping lines and shapes, resembling a loosely woven fabric or a complex network. Horizontal and vertical lines create a swirling pattern against a gradient backdrop of muted beige to deep red.

    Mandarin Love Note

    Janis Provisor, Case Hudson, Dena Schuckit, Daria Sywulak, Rachel Fuller, Crown Point Press

    1999

    Color hardground etching, spitbite aquatint, drypoint and direct gravure with gampi chine collé on wove somerset paper  Accession ID  2006.122.93

    Not on view
  • The image features a bold red square against a white background, creating a contrast of shapes and color. This abstract composition emphasizes simplicity and form. The red square may evoke familiar objects such as a window or stop sign, inviting the viewer to make connections with everyday elements. The minimal design highlights the starkness and clarity typical of abstract art.

    Any 2 Points: No. 1

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Brian Shure, Daria Sywulak

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.1

    Not on view
  • ""

    Loops & Curves Gray/Gray

    Sol LeWitt, Daria Sywulak, Dena Schuckit, Case Hudson, Rachel Fuller, Crown Point Press

    1999

    Color sugarlift aquatint with aquatint on somerset paper  Accession ID  2006.122.48

    Not on view
  • The image displays a series of interlocking zigzag lines forming a pattern of jagged shapes. The abstract composition creates an intricate tapestry that could resemble a maze or road map. The lines interweave and overlap, drawing the eye through a convoluted journey that echoes the appearance of tree branches or lightning strikes against a contrasting background.

    Loops & Curves Blue/Red

    Sol LeWitt, Crown Point Press, Rachel Fuller, Case Hudson, Daria Sywulak, Dena Schuckit

    1999

    Color sugarlift aquatint with aquatint on somerset textured paper  Accession ID  2001.142.62

    Not on view
  • The image displays a large white square with a faint green irregular border behind it. In the center of the white square, a vertical yellow rectangle stretches upwards.

    Any 2 Points: No. 4

    Richard Tuttle, Crown Point Press, Brian Shure, Dena Schuckit, Daria Sywulak, Rachel Fuller

    1999

    Color spitbite aquatint, aquatint, and embossing on somerset textured paper  Accession ID  2001.142.105.4

    Not on view
  • ""

    Black Loops & Curves No. 4

    Sol LeWitt, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Rachel Fuller

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.50

    Not on view
  • The artwork features intertwining, wavy black lines on a white background, creating a complex and abstract pattern. The lines resemble zebralike stripes or flowing ribbons, weaving and blending into each other across the canvas. Each wavy line interacts dynamically with the next, creating a sense of movement and fluidity throughout the image.

    Black Loops & Curves No. 1

    Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.47

    Not on view
  • The image displays a series of undulating, wavy lines and shapes forming an intricate and densely packed pattern. The abstract composition suggests movement, resembling swirling flames or flowing ribbons. These lines contrast against the background, creating a dynamic interplay of positive and negative space. The shapes could remind viewers of natural patterns like a tiger's stripes or wood grain.

    Loops & Curves Red/Yellow

    Sol LeWitt, Crown Point Press, Dena Schuckit, Daria Sywulak, Rachel Fuller, Case Hudson

    1999

    Color sugarlift aquatint with aquatint on somerset textured paper  Accession ID  2001.142.63

    Not on view