Robert Hanning

American

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  • The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.4

    Not on view
  • ""

    Abend #2

    Markus Lüpertz, Marcia Brown, Chris Ballantyne, Robert Hanning, Hank Hine, Stefanie Kohn, Erika Greenberg-Schneider, Tom Pruitt, Tim Baker, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Sugarlift aquatint and drypoint on chine collé of okawara japanese paper on somerset textured soft white paper  Accession ID  2002.111.14

    Not on view
  • The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.5

    Not on view
  • The image shows intersecting lines radiating from clusters of bright points arranged in a grid pattern against a dark background. The design forms the shape of the number "60," reminiscent of neon signs or digital clock displays. The lines link each point, creating a web-like effect that appears to emanate from the centers of the numbers.

    on/off

    Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio

    1999

    Photogravure in black on two panels on somerset satin white paper  Accession ID  2002.111.16.1

    Not on view
  • ""

    Centinela

    Graciela Iturbide, Robert Hanning, Chris Ballantyne, Marcia Brown, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Deli Sacilotto, Graphicstudio

    1999

    Photogravure in black on somerset satin white  Accession ID  2002.111.12

    Not on view
  • The image shows swirling black lines in an abstract shape resembling a face with exaggerated features. Above are red circular forms with jagged edges and green lines suggesting stems and leaves. The abstract face is intertwined with elements resembling hair or facial features.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.7

    Not on view
  • ""

    Abend #3

    Markus Lüpertz, Chris Ballantyne, Robert Hanning, Marcia Brown, Hank Hine, Tim Baker, Erika Greenberg-Schneider, Stefanie Kohn, Tom Pruitt, Jill Lerner, Deli Sacilotto, Graphicstudio

    1999

    Color etching, sugarlift aquatint, and drypoint on chine collé of okawara japanese paper on somerset textured soft white paper  Accession ID  2002.111.15

    Not on view
  • Black linear shapes resembling two human forearms and hands are elevated upwards against a vivid backdrop. These lines curve and bend, while below them, two red circular forms with green appendages suggest tomatoes with leafy tops.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.9

    Not on view
  • The image shows a dense network of thin black lines on the left side, forming an intricate web-like pattern. On the right side, the lines are sparser and more curvilinear, outlining a human arm and hand, with a hint of a torso and head. This juxtaposes the abstract and representational elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.10

    Not on view
  • Curving lines intersect with bold, red circular shapes. The shapes resemble large roses with detailed green leaves. Black lines are intertwined with the floral elements, suggesting a tactile connection to the abstract composition.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.3

    Not on view
  • The image displays bold, black swirling lines creating abstract shapes resembling a human figure. The top features circular lines twisting into spiral forms. Below, dense lines construct a form possibly connected to the human body, suggesting a torso, foot, or leg. The intricate, overlapping lines convey movement and complexity, alluding to familiar anatomical elements in an abstract way.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.2

    Not on view
  • ""

    Hombre Legarto

    Francisco Toledo, Chris Ballantyne, David McDaniel, Jill Lerner, Marcia Brown, Robert Hanning, Hank Hine, Deli Sacilotto, Stefanie Kohn, Erika Greenberg-Schneider, Graphicstudio

    1998

    Photogravure in black on somerset texture white paper  Accession ID  2002.111.31

    Not on view