Catherine Brooks

American, active early 21st century

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  • ""

    Last Night. New Day [working proof 7]

    Chris Ofili, Catherine Brooks

    2008

    Color spit bite and sugar lift aquatints with hard ground etching and drypoint on legion revere paper (wp 7 – color proof, yellow chalk, white and grey watercolor background, pink spit bite on bottom edge, purple and yellow pencil) [working proof 7]  Accession ID  2024.132.520

    Not on view
  • This is a painting of an interior room scene featuring a sofa, a cabinet, and a dressing table with a mirror. The room has concrete-like textured walls and a dark brown ceiling. A green sofa is against the right wall next to a white cabinet adorned with small objects, with a framed art piece above. On the right side is a dressing table with an oval mirror. Pinkish-orange drapes cover a large window on the back wall, with a table before the drapes. The floor shows light and shadow play. The objects have an art-deco style with clean lines and geometric elements.

    Room Under the Influence

    Mamma Andersson, Emily York, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2008

    Color spitbite aquatint with aquatint and softground etching on wove somerset paper  Accession ID  2011.119.7

    Not on view
  • The image displays abstract forms in soft blue hues with fluid lines and organic shapes, creating a sense of movement. Central figures resemble outlines of two human forms, with one potentially representing a seated figure and the other supporting it. The shapes suggest familiar human postures. On the right, vertical lines can be seen, resembling a cascading waterfall or flowing drapery.

    Rainbow - Turquoise Duo

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Color spitbite aquatint with drypoint on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.78

    Not on view
  • The image shows irregular, organic shapes forming a vertical silhouette within a rectangular frame. The shape resembles a rugged landmass or silhouette of a tree crown against a deep red background. The silhouette is light pink with jagged and uneven edges, resembling a boundary or coastline. The contrast between the red and pink creates depth in the composition.

    Rainbow - Red Cave

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Color spitbite aquatint with etching and drypoint on wove somerset paper  Accession ID  2011.119.77

    Not on view
  • The image features an abstract composition of delicate, flowing green lines converging towards the top, forming a triangular or mountainous shape. In the background and along the periphery, softer curved lines and smudges suggest the presence of tree branches or foliage, hinting at a nature-inspired theme.

    Rainbow - Green Riann

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Color spitbite aquatint with drypoint in green on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.71

    Not on view

  • Stump Up

    Mamma Andersson, Emily York, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2008

    Color spitbite and sugarlift aquatints with aquatint on wove legion revere paper  Accession ID  2011.119.8

    Not on view
  • The image displays various abstract shapes and lines on a pink background. On the left, there are long, vertical lines. To the right, there are curved and circular shapes. Below these elements, a smooth, arching shape rises from the bottom of the composition. The overall composition blends these abstract elements, creating a visually captivating experience.

    Rainbow - Paragon Pink

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Spitbite aquatint with drypoint in green on pink gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.74

    Not on view
  • The image comprises dynamic lines and curved shapes sweeping across the canvas in various directions, creating a sense of motion. The abstract composition is dominated by a bold red hue, with numerous fine, hair-like lines converging toward an upper point. Below, a scattering of dots adds texture. The fluid arcs and intersecting lines evoke a sense of flowing energy.

    Rainbow - Pink Particles

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Drypoint in red on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.75

    Not on view
  • The image shows the upper half of a person painting on a canvas placed on an easel. The person's head is slightly tilted downward, focused on their artwork. Their shaggy, brown hair covers their face. They wear a light-colored, long-sleeved shirt and dark pants. The person holds a paintbrush in their hand and a red artist's palette rests on their leg with dabs of paint in different colors. The background is a flat, muted green shade.

    The Surrealist

    Edgar Bryan, Crown Point Press, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony

    2008

    Color spitbite aquatint and softground etching on wove somerset paper  Accession ID  2011.119.16

    Not on view
  • Overlapping lines and shapes create a complex composition with bold red curves and straight black lines intersecting on a vivid pink background. The abstract image suggests a tangled web or a chaotic city grid from above. The fluid curves can resemble winding roads or arches similar to a suspension bridge. The interplay of colors and lines invites exploration of the familiar within the unfamiliar.

    N & V

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie

    2007

    Color softground etching with soapground aquatint and spitbite aquatint on wover somerset paper  Accession ID  2011.119.117

    Not on view
  • The image displays intersecting lines and shapes in red, set against a backdrop of green, purple, and beige colors. The red lines create geometric patterns, while the background features broad strokes.

    R & E

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie

    2007

    Color softground etching with sugarlift aquatint and soapground aquatint on wove somerset paper  Accession ID  2011.119.119

    Not on view
  • ""

    Figure II

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint with drypoint on gampi paper chine collé on somerset wove paper  Accession ID  2011.119.89

    Not on view