Catherine Brooks

American, active early 21st century

Displaying 37 - 48 of 131

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    Figure I

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint on somerset wove paper  Accession ID  2011.119.88

    Not on view
  • The image shows overlapping shapes and lines, with bold red lines intersecting across the composition. Various transparent layers in hues of purple, green, and orange converge, resembling a cluster of leaves or a tangled web. The red lines create structure, while the translucent layers suggest overlapping leaves or fabric.

    O & N

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint, spitbite aquatint, and softground etching on wove somerset paper  Accession ID  2011.119.118

    Not on view
  • The image displays intersecting lines and shapes in red, set against a backdrop of green, purple, and beige colors. The red lines create geometric patterns, while the background features broad strokes.

    R & E

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie

    2007

    Color softground etching with sugarlift aquatint and soapground aquatint on wove somerset paper  Accession ID  2011.119.119

    Not on view
  • The image depicts intersecting red lines and shapes, alongside various colored blocks. The red lines overlay a background of soft purple, tan, and lime green hues that form uneven geometric shapes. On the left side, there are vertical swatches of color including beige, brown, olive green, and salmon pink. Each element blends into the next, creating a patchwork effect.

    Ohad + Naomi (O & N 7) (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint and spitbite aquatint with red crayon and paint additions on wove paper  Accession ID  2013.127.6

    Not on view
  • Overlapping lines and shapes create a complex composition with bold red curves and straight black lines intersecting on a vivid pink background. The abstract image suggests a tangled web or a chaotic city grid from above. The fluid curves can resemble winding roads or arches similar to a suspension bridge. The interplay of colors and lines invites exploration of the familiar within the unfamiliar.

    N & V

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie

    2007

    Color softground etching with soapground aquatint and spitbite aquatint on wover somerset paper  Accession ID  2011.119.117

    Not on view
  • The image displays bold, angular lines that intersect and overlap on the canvas. A large, irregular shape in deep purple dominates the composition, surrounded by lighter purple shapes and thin lines. The design suggests movement and depth, resembling a fragmented landscape or urban silhouette. The geometric elements evoke the idea of a modern sculpture or architectural blueprint.

    O / N (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint with graphite additions on wove paper  Accession ID  2013.127.4

    Not on view
  • The image portrays a series of horizontal, undulating dark blue shapes. The fluid, overlapping forms suggest rippling waves or elongated bodies of water meandering across the canvas. The shapes visually resemble elements found in nature, such as ink spills or fabric folds catching a breeze. The organic movement in the shapes contributes to a sense of natural yet abstract rhythm.

    Weather Report

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite and sugarlift aquatints on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.37

    Not on view
  • The image shows intersecting lines creating a grid pattern on a soft green background. Above the grid, there is an abstract gray shape resembling a dripping or melting form.

    Passage

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint, sugarlift aquatint, and drypoint on wove somerset paper  Accession ID  2011.119.33

    Not on view
  • The image shows rows of pastries, including cupcakes with swirled frosting and donuts, arranged on a surface. The color palette is mostly monochromatic, featuring shades of black, white, and hints of mint green. Positioned toward the bottom of the image, the cupcakes and donuts are displayed in rows extending diagonally from the bottom left to the top right. The largest objects are the donuts, which are on the right side, while the rows of cupcakes with various frosting types are on the left and center.

    Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color direct gravure on wove somerset paper  Accession ID  2011.119.128

    Not on view
  • The image includes a pair of dark boots placed on top of stacked paper sheets towards the right side. The color palette comprises muted grays and browns for the boots and sheets, while the background on the left side shows a blend of light pastel colors like yellow, pink, and blue. The boots are diagonal from the bottom center to the upper right corner, and the pastel splatter occupies the lower left corner, blending into the blank space above.

    Home

    Kiki Smith, Crown Point Press, Emily York, Catherine Brooks

    2006

    Color flatbite etching, softground etching, and spitbite aquatint with gampi chine collé on somerset wove paper  Accession ID  2011.119.121

    Not on view
  • The image features a horse standing alongside a ghostly figure in a landscape with a large tree and indistinct shapes in the distance. The painting is done in a loose, expressive style with a limited monochromatic color palette of gray tones. The bottom of the image displays the words "MICHEL & DOC."

    Michel & Doc

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Spitebite aquatint in black on gampi paper chine collé  Accession ID  2011.119.148

    Not on view
  • The image displays several rows of baked goods including cupcakes, pastries with swirled designs, and donuts. The color palette consists mainly of shades of brown, black, and beige. The cupcakes with swirled icing are on the left side, followed by pastries with a spiral pattern, and rows of donuts on the far right. The objects are positioned against a uniform background.

    Dark Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks

    2006

    Color direct gravure on gampi paper chine collé  Accession ID  2011.119.130

    Not on view