Catherine Brooks

American, active early 21st century

Displaying 73 - 84 of 131

Results

  • ""

    Local Calm

    Julie Mehretu, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2005

    Color sugarlift aquatint with aquatint and spitbite aquatint, softground etching, etching, and engraving on gampi paper chine collé mounted to wove somerset paper  Accession ID  2011.119.55

    Not on view
  • ""

    Naked II

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with foul biting and hand staining on japanese senka-shi paper  Accession ID  2011.119.134

    Not on view
  • ""

    Untitled [LO 272]

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint with softground etching on wove somerset paper  Accession ID  2006.122.88

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • The image displays intertwined lines and circles in various abstract shapes. A central cluster of elongated black lines extends outward from a central point. The background features translucent green and blue hues forming circular and petal-like shapes, creating the impression of leaves or water. In the upper right corner, there is a simplistic red butterfly shape. The composition blends the elements into a harmonious arrangement, offering a playful interpretation through familiar natural forms.

    Flower Power

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color spitbite and sugarlift aquatints with drypoint and printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.102

    Not on view
  • The image shows a large irregular shape in a soft blue color on an orange background with a sharp contrast framing its outline. Above this shape are several maroon, horizontal lines parallel to one another, and there are minimal linear accents near the edges.

    Torso I

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift and spitbite aquatint with softground etching and aquatint on wove somerset paper  Accession ID  2006.122.79

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view
  • This image features a long, vertical line on the left side, accompanied by evenly distributed dotted patterns throughout. A dark blue abstract blotch is positioned on the right side. The background transitions from green at the bottom to light orange at the top.

    Mixed Marks, Grid and Ink Blot

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint with softground etching on wove somerset paper  Accession ID  2006.122.127

    Not on view
  • The image shows a vintage car parked on an urban street corner. Buildings create an L-shaped composition, with more structures and greenery in the distance. A stop sign is to the left of the car. The drawing uses a warm reddish color with fine lines. The color palette is minimal, focusing on different shades of the same hue. The horizon is not clearly visible due to rising terrain and structures.

    Texas and 20th Intersection [working proof 2]

    Robert Bechtle, Catherine Brooks

    2004

    Color soft ground etching with aquatint on somerset paper [working proof 2]  Accession ID  2024.132.142

    Not on view
  • The image shows red and blue streaks and lines moving diagonally across the canvas. The abstract composition includes vertical streams resembling paint or ink trails. The arrangement suggests a flow of liquid, like a river or cascading water, with splashes indicating organic movement. The lines and splatters interact with color and texture against a lightly colored background.

    Mixed Marks, Double Mark

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.125

    Not on view
  • The image displays two rectangular sections. The top rectangle is filled with various blue hues creating an abstract sky-like appearance with soft, cloud-like patterns. Below, a green rectangle is filled with dense, textural line patterns resembling grass or a field in an abstract manner. The image represents a simplified abstract depiction of sky and land using bold colors and textures to create connections to a horizon landscape.

    Mixed Marks, Landscape

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color spitbite aquatint with etching on wove somerset paper  Accession ID  2006.122.128

    Not on view