Catherine Brooks

American, active early 21st century

Displaying 97 - 108 of 131

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  • The image features soft, curving lines and blurred shapes against a gray background. The abstract composition includes elements resembling trees with circular tops. A bird-like shape with blue and white markings and a red beak appears to soar. Below, a mirrored reflection creates a duality, like an impressionistic landscape seen through water ripples. Flecks of green, red, and blue are scattered throughout. The image evokes nature's vibrancy.

    Untitled (LO 269)

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.85

    Not on view
  • The image is a full-body drawing of a person standing in profile facing to the right. The person's facial features are minimally detailed with hair sketched in a textured manner. The body is outlined with flowing lines. The individual appears unclothed, with no additional clothing depicted. There are no visible jewelry or objects being held. The background is a plain, solid color with scribbled lines in the bottom left corner.

    Dancer

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color drypoint and aquatint on wove somerset paper  Accession ID  2006.122.74

    Not on view
  • The image displays an assortment of butterfly shapes with detailed patterns on their wings. The composition creates a sense of movement, similar to a group of butterflies in flight. The background includes shades of green, beige, and gold, suggesting a natural setting.

    Fly

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatints with printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.103

    Not on view
  • The image displays a contour of a human figure made up of curved lines. The figure has a speckled appearance and is positioned in a leaning forward or curled stance. The use of negative space adds to the abstract nature of the image.

    Dancer III

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.76

    Not on view
  • ""

    Naked III

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and dyed string chine collé printed on japanese senka-shi and hosho papers  Accession ID  2011.119.135

    Not on view
  • A red horizontal band of varying width extends across the top third of the image. The red line has vertical streaks resembling dripping paint. The background is a gradient transitioning from light blue at the top to a deeper blue at the bottom.

    Mixed Marks, Floating Mark

    Pat Steir, Crown Point Press, Rachel Fuller, Emily York, Catherine Brooks

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.126

    Not on view
  • ""

    Naked II

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with foul biting and hand staining on japanese senka-shi paper  Accession ID  2011.119.134

    Not on view
  • ""

    Torso II

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift and spitbite aquatint with softground etching and aquatint on wove somerset paper  Accession ID  2006.122.80

    Not on view
  • ""

    Naked IX

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and green gampi paper chine collé on japanese hosho paper  Accession ID  2011.119.137

    Not on view
  • ""

    Naked IV

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Hardground etching with drypoint and color hand staining on black japanese gampi paper  Accession ID  2011.119.136

    Not on view
  • The image shows a street view of an intersection from a slightly elevated perspective. There are buildings, trees, utility poles, a stop sign, a painted arrow on the street, and a vintage car parked at an angle next to the curb. The scene has architectural details, including wall textures and window placements. The color palette consists of muted tones like gray, brown, green, and orange. The artwork features precise and detailed brushstrokes or printmaking techniques, highlighting realism and texture.

    Texas and 20th Intersection [working proof 7]

    Robert Bechtle, Catherine Brooks

    2004

    Color soft ground etching with aquatint on somerset paper [working proof 7]  Accession ID  2024.132.147

    Not on view
  • ""

    Naked VI

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and attached gampi paper strip on japanese hosho paper  Accession ID  2011.119.139

    Not on view