Catherine Brooks

American, active early 21st century

Displaying 85 - 96 of 131

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  • ""

    Naked VI

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and attached gampi paper strip on japanese hosho paper  Accession ID  2011.119.139

    Not on view
  • The image displays two rectangular sections. The top rectangle is filled with various blue hues creating an abstract sky-like appearance with soft, cloud-like patterns. Below, a green rectangle is filled with dense, textural line patterns resembling grass or a field in an abstract manner. The image represents a simplified abstract depiction of sky and land using bold colors and textures to create connections to a horizon landscape.

    Mixed Marks, Landscape

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color spitbite aquatint with etching on wove somerset paper  Accession ID  2006.122.128

    Not on view
  • ""

    Naked IX

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and green gampi paper chine collé on japanese hosho paper  Accession ID  2011.119.137

    Not on view
  • The image displays a contour of a human figure made up of curved lines. The figure has a speckled appearance and is positioned in a leaning forward or curled stance. The use of negative space adds to the abstract nature of the image.

    Dancer III

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.76

    Not on view
  • The image shows red and blue streaks and lines moving diagonally across the canvas. The abstract composition includes vertical streams resembling paint or ink trails. The arrangement suggests a flow of liquid, like a river or cascading water, with splashes indicating organic movement. The lines and splatters interact with color and texture against a lightly colored background.

    Mixed Marks, Double Mark

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.125

    Not on view
  • The image shows a full-body silhouette of a person in an upright standing position, depicted in an abstract, block color style. The figure is slightly leaning with one hand raised to the side of the face. The facial features and details are not discernible due to the artwork's abstract nature. The figure is without detailed clothing and is rendered entirely in a single reddish-orange hue that blends with the background. The background is a contrasting lighter shade of the same color palette. There are no visible pieces of jewelry or objects held by the figure, and the setting provides no context such as furniture or environment features.

    Dancer II

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.75

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • The image shows a large irregular shape in a soft blue color on an orange background with a sharp contrast framing its outline. Above this shape are several maroon, horizontal lines parallel to one another, and there are minimal linear accents near the edges.

    Torso I

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color sugarlift and spitbite aquatint with softground etching and aquatint on wove somerset paper  Accession ID  2006.122.79

    Not on view
  • The image displays intertwined lines and circles in various abstract shapes. A central cluster of elongated black lines extends outward from a central point. The background features translucent green and blue hues forming circular and petal-like shapes, creating the impression of leaves or water. In the upper right corner, there is a simplistic red butterfly shape. The composition blends the elements into a harmonious arrangement, offering a playful interpretation through familiar natural forms.

    Flower Power

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color spitbite and sugarlift aquatints with drypoint and printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.102

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • The image features soft, curving lines and blurred shapes against a gray background. The abstract composition includes elements resembling trees with circular tops. A bird-like shape with blue and white markings and a red beak appears to soar. Below, a mirrored reflection creates a duality, like an impressionistic landscape seen through water ripples. Flecks of green, red, and blue are scattered throughout. The image evokes nature's vibrancy.

    Untitled (LO 269)

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.85

    Not on view