Catherine Brooks

American, active early 21st century

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  • The image shows a full-length view of a person's back as they stand upright. The individual is angled slightly to one side, with their head facing downwards. Their dark, roughly textured hair is visible, but facial features are obscured. The body is unclothed with shading to highlight its form. There are no visible jewelry or objects being held. The background features abstract linear elements and scattered stars, creating an ethereal atmosphere.

    Stairs to the Stars

    Nathan Oliveira, Dena Schuckit, Catherine Brooks, Crown Point Press

    2004

    Color drypoint and aquatint on wove somerset paper  Accession ID  2006.122.78

    Not on view
  • The image shows an abstract composition featuring a silhouette that resembles a horse in motion. The horse is depicted in bold blue colors against a textured gray landscape. Above the horse, colorful leaf-like shapes in blue, red, and green intertwine, blending into the overall scene.

    Untitled (LO 271)

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint with aquatint and softground etching on wove somerset paper  Accession ID  2006.122.87

    Not on view
  • The image shows an abstract arrangement of geometric shapes and lines with a stark contrast between light and dark shades. On the left side, there is an octagonal shape above a silhouette resembling a car. In the center, a vertical strip divides the composition. On the right, angular forms suggest outlines of rooftops or buildings, creating a cityscape effect.

    Texas and 20th Intersection [working proof 4]

    Robert Bechtle, Catherine Brooks

    2004

    Color soft ground etching with aquatint on somerset paper [working proof 4]  Accession ID  2024.132.144

    Not on view
  • The image depicts an aerial view of an urban street intersection with light sketches. The horizon line is in the middle, creating depth as the street extends into the distance. In the center, a car is parked, and to the left, there is a signpost. Buildings are shown on the right side of the street. The sketch is done with soft blue-gray tones, creating a serene atmosphere with varying shades and textures for depth and contrast. The composition is minimalistic with key details subtly incorporated in the color scheme.

    Texas and 20th Intersection [working proof 5]

    Robert Bechtle, Catherine Brooks

    2004

    Color soft ground etching with aquatint on somerset paper [working proof 5]  Accession ID  2024.132.145

    Not on view
  • The image displays a dense network of overlapping lines and small circular shapes on a blue background, intersected by a bold red line stretching diagonally across the frame. A green strip is seen along the left edge.

    Summer Pond

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Case Hudson

    2003

    Color etching with spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.140

    Not on view
  • ""

    Moon Lake

    Pat Steir, Crown Point Press, Rachel Fuller, Case Hudson, Catherine Brooks

    2003

    Color aquatint with spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.131

    Not on view
  • ""

    Deep River

    Pat Steir, Rachel Fuller, Case Hudson, Catherine Brooks, Crown Point Press

    2003

    Color soapground aquatint with aquatint and drypoint on wove somerset paper  Accession ID  2006.122.115

    Not on view
  • ""

    Shape of Water

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Case Hudson

    2003

    Color softground etching with aquatint, spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.134

    Not on view
  • The image displays geometric shapes and lines in warm yellow and orange tones, mainly rectangular and triangular. The arrangement resembles a stylized cityscape or modern architectural structure.

    Golden Rectangle

    Tom Marioni, Dena Schuckit, Rachel Fuller, Catherine Brooks, Crown Point Press

    2003

    Color aquatint with drypoint on somerset paper  Accession ID  2006.122.53

    Not on view
  • This is a painting of a car covered with a fabric parked on the street in front of a building. The scene depicts a vehicle draped with a car cover against the backdrop of a residential building. The building has multiple windows, one casting a shadow on the covered car. A shrub grows next to the building alongside garage doors. These elements suggest an urban or suburban neighborhood setting. The painting uses pointillism style, with dots of varied colors blending to create depth and texture.

    Covered Car--Missouri Street

    Robert Bechtle, Crown Point Press, Case Hudson, Catherine Brooks

    2002

    Color softground etchng with aquatint on wove somerset paper  Accession ID  2011.119.12

    Not on view
  • The image displays a series of black horizontal and vertical lines intersecting to form a grid-like pattern, creating rectangles and squares. A single yellow rectangle is located in the lower right corner against a white background. The composition resembles a blueprint or city skyline, with the yellow rectangle potentially representing a lit window in a building.

    Mondrian

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Direct gravure with aquatint printed in black and yellow inks on somerset paper  Accession ID  2006.122.55

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view