Emily York

American, active early 21st century

Displaying 145 - 156 of 174

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  • The image features swirling lines forming an oval shape in the center, with butterfly shapes on either side. The composition uses green, yellow, blue, and red colors, with central calligraphic text.

    Family Values

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color spitbite and sugarlift aquatint with etching and printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.101

    Not on view
  • The image shows red and blue streaks and lines moving diagonally across the canvas. The abstract composition includes vertical streams resembling paint or ink trails. The arrangement suggests a flow of liquid, like a river or cascading water, with splashes indicating organic movement. The lines and splatters interact with color and texture against a lightly colored background.

    Mixed Marks, Double Mark

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.125

    Not on view
  • This image features a long, vertical line on the left side, accompanied by evenly distributed dotted patterns throughout. A dark blue abstract blotch is positioned on the right side. The background transitions from green at the bottom to light orange at the top.

    Mixed Marks, Grid and Ink Blot

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint with softground etching on wove somerset paper  Accession ID  2006.122.127

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • The image displays intertwined lines and circles in various abstract shapes. A central cluster of elongated black lines extends outward from a central point. The background features translucent green and blue hues forming circular and petal-like shapes, creating the impression of leaves or water. In the upper right corner, there is a simplistic red butterfly shape. The composition blends the elements into a harmonious arrangement, offering a playful interpretation through familiar natural forms.

    Flower Power

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color spitbite and sugarlift aquatints with drypoint and printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.102

    Not on view
  • The image shows a street scene with a steep road incline. A sidewalk with a manhole cover is visible in the foreground, beside which a classic car is parked. Buildings and residential structures line the street on either side. A stop sign stands in the center, casting a shadow on the pavement. In the background, the street ascends toward a bright sky. The painting features fine, detailed brushstrokes with a style resembling a photograph, achieved through dot patterns. The color palette is muted, with blues, grays, and browns dominating, creating a vintage feel. Sparse greenery can be seen in the upper right corner, including branches of a tree.

    Texas and 20th Intersection

    Robert Bechtle, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with aquatint on somerset paper  Accession ID  2006.122.29

    Not on view
  • A red horizontal band of varying width extends across the top third of the image. The red line has vertical streaks resembling dripping paint. The background is a gradient transitioning from light blue at the top to a deeper blue at the bottom.

    Mixed Marks, Floating Mark

    Pat Steir, Crown Point Press, Rachel Fuller, Emily York, Catherine Brooks

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.126

    Not on view
  • ""

    Naked IX

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and green gampi paper chine collé on japanese hosho paper  Accession ID  2011.119.137

    Not on view
  • ""

    Naked IV

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Hardground etching with drypoint and color hand staining on black japanese gampi paper  Accession ID  2011.119.136

    Not on view
  • ""

    Naked VI

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and attached gampi paper strip on japanese hosho paper  Accession ID  2011.119.139

    Not on view
  • The image depicts a maritime scene with ships sailing on wavy seas. A whale is swimming among the waves, with dark cloud formations in the sky above. The style features smooth brushstrokes, repetitive patterns for the waves, and a color palette of blues and grays with white highlights.

    Untitled (LO 273)

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.89

    Not on view