Emily York

American, active early 21st century

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  • The image presents a beach scene with a shoreline curving around the composition from bottom left to top right. The horizon is not visible, focusing instead on the sandy beach stretching into the distance. The style of brushstrokes is fluid and sketch-like, depicting waves and figures walking along the sand. The color palette is limited to shades of indigo and cream, contrasting the sea and the beach. Figures are shown in motion, some carrying surfboards, while others are looking at something on the sand. More figures are seen along the beach.

    Tide Figures

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color drypoint on gampi paper chine collé  Accession ID  2011.119.132

    Not on view
  • The image shows horizontal wavy lines of varying colors with fluid and slightly irregular shapes. The colors include lime green, red, orange, teal, and aqua blue, forming distinct bands that bleed into each other slightly.

    Acid Line Up

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite and sugarlift aquatints on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.30

    Not on view
  • The image depicts the lower part of a person's body, focusing on their legs and feet. The legs are slightly bent at the knees, with the feet resting on their sides. The feet are detailed, highlighting the skin texture. A portion of the leg and a dark-toned garment, possibly a skirt or dress, are visible. The legs have small spots scattered on them. The background is light-colored with pastel-like borders in yellow, pink, and blue. No jewelry or objects are present in the image.

    Still

    Kiki Smith, Crown Point Press, Emily York, Catherine Brooks

    2006

    Color softground etching and spitbite aquatint with gampi chine collé on wove paper  Accession ID  2011.119.122

    Not on view
  • The image displays large, irregular, horizontal bands or blobs of color stacked one above the other. The colors transition from deep purple, pinkish-red, red-orange, to black or very dark brown against a pink background, creating an abstract layering effect.

    Joaquin's Close Out

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint and sugarlift aquatint on wove somerset paper  Accession ID  2011.119.32

    Not on view
  • The image includes a pair of dark boots placed on top of stacked paper sheets towards the right side. The color palette comprises muted grays and browns for the boots and sheets, while the background on the left side shows a blend of light pastel colors like yellow, pink, and blue. The boots are diagonal from the bottom center to the upper right corner, and the pastel splatter occupies the lower left corner, blending into the blank space above.

    Home

    Kiki Smith, Crown Point Press, Emily York, Catherine Brooks

    2006

    Color flatbite etching, softground etching, and spitbite aquatint with gampi chine collé on somerset wove paper  Accession ID  2011.119.121

    Not on view
  • The image shows rows of pastries, including cupcakes with swirled frosting and donuts, arranged on a surface. The color palette is mostly monochromatic, featuring shades of black, white, and hints of mint green. Positioned toward the bottom of the image, the cupcakes and donuts are displayed in rows extending diagonally from the bottom left to the top right. The largest objects are the donuts, which are on the right side, while the rows of cupcakes with various frosting types are on the left and center.

    Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color direct gravure on wove somerset paper  Accession ID  2011.119.128

    Not on view
  • There is a solitary dark tree trunk standing upright in the foreground. The horizon is positioned high in the frame with blurred outlines of distant hills against a pale sky. The painting features impressionistic brushstrokes creating a serene atmosphere. The color palette includes muted blues and soft yellows. The background shows blurry structures and natural elements, adding depth to the scene. The soft gradient of colors and light in the sky suggests either dusk or dawn light.

    24th at Carolina (Right)

    John Chiara, Crown Point Press, Dena Schuckit, Emily York

    2006

    Color photogravure on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.23

    Not on view
  • The image shows intersecting lines creating a grid pattern on a soft green background. Above the grid, there is an abstract gray shape resembling a dripping or melting form.

    Passage

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint, sugarlift aquatint, and drypoint on wove somerset paper  Accession ID  2011.119.33

    Not on view

  • Cakes and Pies

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color direct gravure on wove somerset paper  Accession ID  2011.119.127

    Not on view
  • The image shows the lower portion of a person's legs and feet. The legs are positioned horizontally, with the feet slightly pointed downwards at the toes. The skin appears textured and detailed, showing signs of age with visible veins and wrinkles. The person is wearing a garment characterized by a patterned fabric that reaches down to the thighs, leaving the knees and feet uncovered. There is no visible jewelry or objects being held. The background is a softly colored gradient, blending hues of pink, peach, and blue.

    Still [working proof 7]

    Kiki Smith, Emily York

    2006

    Color spit bite aquatint with flat bite and hard ground and soft ground etching on gampi paper chine collé on somerset paper (wp 7 – close to edition but background plates up-side-down from edition) [working proof 7]  Accession ID  2024.132.621

    Not on view
  • The image shows a side profile of a person riding a horse. The person is upright on the horse, holding a long rod or staff. The person's facial features are not clear. The horse is in mid-stride, with one front leg raised. The background is abstract with light and shadow.

    Equestrian

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Spitbite aquatint in black on gampi paper chine collé  Accession ID  2011.119.147

    Not on view
  • The image shows a green-toned depiction of a horse and figure set in a natural landscape. The point of view is at eye level with the horse and individual standing beside each other. The horizon is undefined, and the ground slopes upward slightly in the distance. The brushstrokes are loose and soft. The color palette is predominantly green. Close to us, the figures of the horse and person are discernible, with the name "MICHELE 'DOC'" inscribed in brown at the bottom. The background fades into abstract shapes and colors.

    Michel & Doc Go Green

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Spitbite aquatint in green on gampi paper chine collé  Accession ID  2011.119.149

    Not on view