Emily York

American, active early 21st century

Displaying 73 - 84 of 174

Results

  • ""

    Back to the Land [working proof 1]

    Jockum Nordström, Emily York

    2008

    Color spit bite and sugar lift aquatint and soft ground etching on somerset paper (wp 1 – black soft ground of all outlines with printer’s notes in black marker) [working proof 1]  Accession ID  2024.132.514

    Not on view
  • The image comprises dynamic lines and curved shapes sweeping across the canvas in various directions, creating a sense of motion. The abstract composition is dominated by a bold red hue, with numerous fine, hair-like lines converging toward an upper point. Below, a scattering of dots adds texture. The fluid arcs and intersecting lines evoke a sense of flowing energy.

    Rainbow - Pink Particles

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Drypoint in red on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.75

    Not on view
  • ""

    Back to the Land [working proof 3]

    Jockum Nordström, Emily York

    2008

    Color spit bite and sugar lift aquatint and soft ground etching on somerset paper (wp 3 – color proof with added yellow spit bite aquatint background) [working proof 3]  Accession ID  2024.132.516

    Not on view
  • The image displays a room with a disorganized layout. A desk is overturned in the center, while an empty bookshelf stands to the right against a striped wall. Nearby are chairs, one with red cushions. The color scheme includes beige, green, brown, yellow, red, and blue tones. Papers, books, and various small objects are scattered around the room. A window with green curtains is located at the back wall.

    Abandoned [working proof 4]

    Mamma Andersson, Emily York

    2008

    Color spit bite and sugar lift aquatints with aquatint and soft ground etching on somerset paper (wp 4 – close to edition, some color changes)  Accession ID  2024.132.12

    Not on view
  • This is a drawing of an interior room. The image shows a cluttered space with various furniture pieces like an armchair, a cabinet, and a chest. The room has walls with vertical wood paneling, a window with hanging curtains, scattered paper or cloth on the floor, an open drawer, and small rectangular frames on the walls. The lines create a sense of chaos, as objects appear misplaced or toppled over.

    Abandoned [working proof 1]

    Mamma Andersson, Emily York

    2008

    Spit bite and sugar lift aquatints with aquatint and soft ground etching on somerset paper (wp 1 – black soft ground)  Accession ID  2024.132.9

    Not on view
  • The image displays sinuous lines and soft, curving shapes creating an abstract composition. The lines outline figures resembling human forms, while surrounding leaf-like shapes and dots suggest a botanical theme. The artwork evokes flow and movement of leaves and figures intertwined, resembling nature with human silhouettes. Blue hues and delicate detailing enhance the fluidity and organic feel of the composition.

    Rainbow - Purple Palms

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Spitbite aquatint with drypoint in blue on yellow gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.76

    Not on view
  • The image displays elongated, flowing shapes and lines alongside geometric, hexagonal patterns. Organic forms on the left side suggest a diving figure, with adjacent curved lines resembling cascading water or fabric. The background is speckled with dots, and the hexagonal forms create a contrast between fluid and angular elements.

    Rainbow - Orange Ramo

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Spitbite aquatint with drypoint in orange on blue gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.73

    Not on view
  • The image shows a composition with vertical lines and shapes, conveying a sense of downward movement. Smudged and dripping forms suggest the likeness of rain or tears. Within the patterns, a faint contour resembling a figure is visible. Gray tones blend together, giving the appearance of shadows and reflections.

    Rainbow - Grey Seale

    Chris Ofili, Crown Point Press, Catherine Brooks, Emily York, Ianne Kjorlie

    2008

    Spitbite aquatint with drypoint in graphite on light blue gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.72

    Not on view
  • The image depicts sweeping lines and geometric shapes in green, orange, and grey intersecting each other on the canvas. The composition features arched lines resembling a musical staff or interconnected waves. The green lines with vertical stripes suggest a gate or fence, while the orange shapes below resemble fabric or a plant. The overall arrangement conveys a garden landscape in abstract form.

    Sulk [working proof 4]

    Pia Fries, Emily York

    2007

    Color soap ground and spit bite aquatints with photogravure, soft ground etching and roulette on somerset paper (wp 4 – color proof, spitbite, sugar lift, photogravure and soft ground in red, yellow, greyand green, many painted areas in green, orange and black. taped areas. upper right corner of paper has patched- in piece)  Accession ID  2024.132.293

    Not on view
  • ""

    Alphabet: Secondary [working proof 4]

    Pat Steir, Emily York

    2007

    Color soap ground, sugar life and spit bite aquatints with drypoint and hard ground etching on somerset paper [working proof 4; center of print only]  Accession ID  2024.132.687

    Not on view
  • ""

    20th Street VW

    Robert Bechtle, Emily York, Crown Point Press

    2007

    Color direct gravure with spitbite aquatint on wove somerset paper  Accession ID  2011.119.10

    Not on view
  • The image depicts an urban corner with an incline leading upwards to the right. A classic car is partially visible behind an orange building. Utility poles with power lines extend upwards. The brushstrokes are smooth and detailed, portraying building and street textures. The color palette includes soft oranges, muted blues, and deep browns. Shadows create depth and emphasize architectural geometry. Green-framed windows and distant buildings and trees are also visible.

    Mississippi Street Intersection

    Robert Bechtle, Crown Point Press, Emily York

    2007

    Color softground etching with aquatint on wove somerset paper  Accession ID  2011.119.13

    Not on view