Emily York

American, active early 21st century

Displaying 97 - 108 of 174

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  • The image depicts an urban corner with an incline leading upwards to the right. A classic car is partially visible behind an orange building. Utility poles with power lines extend upwards. The brushstrokes are smooth and detailed, portraying building and street textures. The color palette includes soft oranges, muted blues, and deep browns. Shadows create depth and emphasize architectural geometry. Green-framed windows and distant buildings and trees are also visible.

    Mississippi Street Intersection

    Robert Bechtle, Crown Point Press, Emily York

    2007

    Color softground etching with aquatint on wove somerset paper  Accession ID  2011.119.13

    Not on view
  • The image features a horse standing alongside a ghostly figure in a landscape with a large tree and indistinct shapes in the distance. The painting is done in a loose, expressive style with a limited monochromatic color palette of gray tones. The bottom of the image displays the words "MICHEL & DOC."

    Michel & Doc

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Spitebite aquatint in black on gampi paper chine collé  Accession ID  2011.119.148

    Not on view
  • The image shows a tree trunk prominently positioned in the center with a hazy horizon line towards the top third of the composition. There are faint outlines of distant trees or foliage in the background. The brushstroke style is soft and layered. The color palette includes gradients of blue, earthy browns, and greens. Closest to us, there is a blend of grass or groundcover, possibly leaves, which are slightly out of focus.

    24th at Carolina (Center)

    John Chiara, Crown Point Press, Dena Schuckit, Emily York

    2006

    Color photogravure printed on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.20

    Not on view
  • The image is in a landscape orientation with a horizon about a third from the top. A series of line drawings depict a rural scene with signs on wooden posts and fences. The signs have large text and sparse illustrations. Above the horizon are cartoonish clouds and lines suggesting birds. The linework is distinct, with hatching adding texture. The image is black and white, focusing on visual narrative through shapes and text, resulting in a clean and graphic appearance.

    Billboards

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Etching in black on gampi paper chine collé  Accession ID  2011.119.143

    Not on view
  • This is a drawing of a countryside scene. It features a rural landscape with a barn, silo, wire fence, horses in dynamic positions, two cartridge cases, a shotgun, and a floating head wearing a hat. The drawing uses sketched lines on a plain background.

    Rex & Bill

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Softground etching in black on on gampi paper chine collé  Accession ID  2011.119.150

    Not on view
  • The image portrays a series of horizontal, undulating dark blue shapes. The fluid, overlapping forms suggest rippling waves or elongated bodies of water meandering across the canvas. The shapes visually resemble elements found in nature, such as ink spills or fabric folds catching a breeze. The organic movement in the shapes contributes to a sense of natural yet abstract rhythm.

    Weather Report

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite and sugarlift aquatints on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.37

    Not on view
  • The image shows a tree trunk in the center of a landscape, taken from an elevated position. The horizon is partially blocked by the angle, revealing a distant cityscape with various buildings, including a tall structure. The tree has few leaves and its branches extend across the sky. The photograph has a monochromatic tone with shades of gray. In the foreground, there is natural vegetation like shrubs and grass, while the city in the background appears hazy.

    24th at Carolina (Left Variation)

    John Chiara, Crown Point Press, Dena Schuckit, Emily York

    2006

    Photogravure in black on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.21

    Not on view
  • The image depicts the lower part of a person's body, focusing on their legs and feet. The legs are slightly bent at the knees, with the feet resting on their sides. The feet are detailed, highlighting the skin texture. A portion of the leg and a dark-toned garment, possibly a skirt or dress, are visible. The legs have small spots scattered on them. The background is light-colored with pastel-like borders in yellow, pink, and blue. No jewelry or objects are present in the image.

    Still

    Kiki Smith, Crown Point Press, Emily York, Catherine Brooks

    2006

    Color softground etching and spitbite aquatint with gampi chine collé on wove paper  Accession ID  2011.119.122

    Not on view
  • The image displays large, irregular, horizontal bands or blobs of color stacked one above the other. The colors transition from deep purple, pinkish-red, red-orange, to black or very dark brown against a pink background, creating an abstract layering effect.

    Joaquin's Close Out

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint and sugarlift aquatint on wove somerset paper  Accession ID  2011.119.32

    Not on view
  • The image includes a pair of dark boots placed on top of stacked paper sheets towards the right side. The color palette comprises muted grays and browns for the boots and sheets, while the background on the left side shows a blend of light pastel colors like yellow, pink, and blue. The boots are diagonal from the bottom center to the upper right corner, and the pastel splatter occupies the lower left corner, blending into the blank space above.

    Home

    Kiki Smith, Crown Point Press, Emily York, Catherine Brooks

    2006

    Color flatbite etching, softground etching, and spitbite aquatint with gampi chine collé on somerset wove paper  Accession ID  2011.119.121

    Not on view
  • The image shows rows of pastries, including cupcakes with swirled frosting and donuts, arranged on a surface. The color palette is mostly monochromatic, featuring shades of black, white, and hints of mint green. Positioned toward the bottom of the image, the cupcakes and donuts are displayed in rows extending diagonally from the bottom left to the top right. The largest objects are the donuts, which are on the right side, while the rows of cupcakes with various frosting types are on the left and center.

    Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color direct gravure on wove somerset paper  Accession ID  2011.119.128

    Not on view
  • The image depicts the lower portion of a person's legs and feet from the calves down, slightly elevated in a horizontal position. The person is wearing a textured and patterned garment that covers their thighs just above the knees, with the intricate pattern partially visible. The calves have small dark star-shaped tattoos on them. The background is plain with a slightly textured, paper-like appearance and soft, faded patches of color. No jewelry or additional objects are visible.

    Still [working proof 5]

    Kiki Smith, Emily York

    2006

    Color spit bite aquatint with flat bite and hard ground and soft ground etching on gampi paper chine collé on somerset paper (wp 5 – pattern added to dress with flat bitten background plates printed in muted colors) [working proof 5]  Accession ID  2024.132.619

    Not on view