Richard Wilke

American, active late 20th century

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  • The image shows a vertical line on the left side and a cluster of abstract, jagged lines towards the center-right.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.5

    Not on view
  • The image shows a large looping shape resembling the number "8" or an infinity symbol. The shape is made of overlapping lines and curved borders, filled with vibrant colors such as green, purple, and red blending together. The central shapes give the impression of a large, symmetrical loop, with textured lines surrounding it, adding depth and visual interest.

    Figure 8

    Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1991.74.87

    Not on view
  • The image shows a number "5" formed by thick lines in a rectangular frame. The artwork has a gradient of warm colors transitioning from deep red at the top, through bright yellow in the middle, to rich green at the bottom.

    Figure 5 [artist's proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [artist's proof]  Accession ID  1976.56.83

    Not on view
  • The image shows a large numeral "5" outlined in a soft, curving line. The number is filled with a gradient of warm colors transitioning from orange to green. The background is off-white.

    Figure 5 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with chalk on arjomari wove paper [working proof]  Accession ID  2005.153.30

    Not on view
  • The image shows a large dark rectangular shape filled with abstract lines and textures. In the upper left portion, there are two thin lines forming irregular loops. A wavy vertical line runs down the center towards the word "NO" at the bottom. The composition is minimalist and abstract, with a surrounding blank space emphasizing the central dark area and its simple elements.

    No

    Jasper Johns, Charles Ritt, Daniel Freeman, Richard Wilke, Gemini G.E.L.

    1969

    Color lithograph with embossing and lead collage on arjomari wove paper  Accession ID  1978.92.9

    Not on view
  • The image depicts a number "5" created from abstract lines and strokes. The number is filled with a gradient from orange to yellow and then yellow to green. The shape resembles a flowing banner or ribbon with a graceful curl at the bottom, evoking a harmonious blend of natural elements.

    Figure 5 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with crayon on arjomari wove paper [working proof]  Accession ID  2005.153.31

    Not on view
  • ""

    Cathedral #6

    Roy Lichtenstein, Daniel Freeman, Richard Wilke, Timothy Isham, Charles Ritt, Robert de la Rocha, Gemini G.E.L.

    1969

    Lithograph in blue and black on special arjomari wove paper  Accession ID  1991.74.144

    Not on view
  • This is an image of an abstract representation of a classic car. The painting showcases a stylized depiction of an automobile outlined with a glowing, translucent effect in shades of turquoise. The car is set against a teal grid background, giving it a technical and schematic feel. The details of the car, such as wheels, doors, and windows, are drawn with a modern, industrial aesthetic.

    Profile Airflow

    Claes Oldenburg, Richard Wilke, Ron Adams, Gemini G.E.L.

    1969

    Green molded polyurethane over lithograph in gray and black on special arjomari wove paper in aluminum frame  Accession ID  1981.5.70

    Not on view
  • The image shows a large numeral "9" centered on a black rectangular background. The number is styled with thick, flowing lines, resembling classic typography. The lines are curved and rounded, giving the "9" a dynamic appearance, similar to an engraved number on a vintage clock or classic printing press typeface.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.28

    Not on view
  • The image shows a number "1" created with bold lines and a gradient. The colors transition from deep purple at the top to bright red and then to vibrant yellow at the bottom.

    Figure 1 [color trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [color trial proof]  Accession ID  2005.153.14

    Not on view
  • The image contains a variety of curved and straight lines forming an abstract pattern. A large numeral "3" is centered in the image, with contrasting negative space highlighting it. Chaotic lines fill the surrounding space, resembling tangled wires or strands of hair. A circular shape within the number resembles a smiling face. The piece conveys a sense of dynamic energy through its sharp and swirling lines.

    Figure 3 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.19

    Not on view
  • The image includes an abstract composition with curved and straight lines in shades of purple, red, and orange. The shapes merge to form a design resembling a large numeral "7" and a stylized face similar to the Mona Lisa. An outline of a hand is also visible within the artwork, adding to its abstract quality.

    Figure 7 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [trial proof]  Accession ID  2005.153.39

    Not on view