Al Taylor

American, 1948 - 1999

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  • The image displays thin, vertical and diagonal lines creating an abstract composition. The lines converge towards the center, with spots and smudges around. A kite-shaped form is visible on the side. The overall effect suggests energy and motion, resembling fireworks or a meteor streaking across the sky.

    Broomstick

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Etching, spitbite aquatint, open bite etching, and drypoint on zerkall bütten paper  Accession ID  2018.112.12

    Not on view
  • A long, twisted dark object hangs vertically from a thin horizontal line at the top of the image. The object has a cylindrical base near the bottom. The background is light gray with small specks or splotches scattered throughout. The monochromatic palette consists of grayscale tones, adding to the textured surface. The twisted object is centered in a vertical composition.

    Flypaper

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Etching, spitbite aquatint, drypoint and polishing on zerkall bütten paper  Accession ID  2018.112.8

    Not on view
  • This print displays an abstract arrangement of irregular oval shapes. A thin horizontal line divides the print into two halves. In the center of the top half is a long, thin oval shape surrounded by smaller pebble-like forms are scattered around the central figure. In the lower half are two large oval shapes with a grouping of smaller shapes near the bottom right corner. Along with these shapes, there are also areas where the off-white paper has gray tints, creating cloud-like shapes.

    Sex Rocks

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Drypoint, etching, spitbite aquatint, and open bite etching on zerkall bütten paper  Accession ID  2018.112.14

    Not on view
  • The image shows a series of wavy, undulating lines forming a complex pattern with a woven-like structure. The lines densely pack together, creating an intricate grid reminiscent of musical notes on paper or city streets seen from above.

    Window Screen

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Sugarlift and spitbite aquatint, and open bite etching on zerkall bütten paper  Accession ID  2018.112.15

    Not on view
  • The image shows abstract shapes and lines forming a composition. A cylindrical figure resembling a telescope or rocket is at the center of the image, along with elliptical and circular shapes suggesting barrels, wheels, or lenses around it. The design evokes a sense of machinery or gadgetry with shading and texture. The interplay of shapes and lines creates depth and complexity, encouraging viewers to ponder the connections between these forms.

    Bottled Water

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Etching, spitbite aquatint, and drypoint on zerkall bütten paper  Accession ID  2018.112.9

    Not on view
  • The image displays a series of elongated, looping curves intersecting and tapering towards a common point. The abstract artwork features arcs that could evoke the wings of a butterfly or sails of a boat. Thin, pencil-like lines emerge from a shared origin at the bottom, sweeping outward and upward, suggesting movement and growth in a harmonious interplay of shapes.

    Palm Root

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Etching, drypoint, and open bite etching on zerkall bütten paper  Accession ID  2018.112.11

    Not on view
  • The image displays an oval-shaped form surrounded by irregular, darker, and textured shading extending towards the right. In the center, the oval area is lightly shaded with scattered, solid shapes resembling facial features—two small dots and a central shape. Darker shapes surround the oval, resembling a head or hair, with an abstract cluster of shapes near the bottom right. The composition balances light and dark areas, prompting associations with a stylized face or textured terrain.

    Coconut Mask

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Spitbite aquatint, open bite etching, and engraving on zerkall bütten paper  Accession ID  2018.112.13

    Not on view
  • The image depicts a series of spirals created with bold black lines intersecting and overlapping. Above the spirals, there is a simple black circular shape with wedge-like segments.

    Mosquito Coil

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Etching, sugarlift and spitbite aquatint on zerkall bütten paper  Accession ID  2018.112.16

    Not on view
  • The image depicts bold, black, thick lines with abstract shapes resembling a pair of mirrored question marks in the upper section and an infinity loop in the lower section. The artwork is set against a textured, gray background.

    Thongs

    Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup

    1989

    Drypoint, sugarlift and spitbite aquatint on zerkall bütten paper  Accession ID  2018.112.10

    Not on view
  • The image shows a central square filled with a pattern of circular shapes and intersecting lines. The circles vary in size and are evenly distributed across the square. The intersecting lines create textures resembling patterns found in tree bark or on a topographic map.

    Untitled (Small Holes)

    Al Taylor

    1988

    Spitbite aquatint with grinding scraping and polishing in black on somerset satin paper  Accession ID  2012.4.4

    Not on view
  • The image shows elongated rectangular shapes with distinct bands of color (red, orange, blue, and green) on a pale background. Soft gray shadows surround the shapes, creating a sense of movement. Faint vertical lines are present on the upper right, and a small boxed legend in the lower right corner indicates the color scheme.

    No title

    Al Taylor

    1988

    Graphite, watercolor and ink on heavy wove paper, with corner cut-out reattached with tape on verso  Accession ID  2018.112.2

    Not on view
  • The image displays angular and curved shapes intersecting within a predominantly dark square. The lines and forms suggest a mechanical or industrial element against a deep, shadowy background.

    Untitled (Small Tape)

    Al Taylor

    1988

    Aquatint, spitbite, open bite, etching with burnishing in black on somerset satin paper  Accession ID  2012.4.5

    Not on view