Al Taylor

American, 1948 - 1999

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  • The image shows a detailed sketch of a large, wire-mesh basket in the center. The color scheme includes black, white, and varying shades of gray. The basket's lines and cross-hatching create a textured appearance. Background elements suggest abstract shapes above and a surface below, anchoring the basket in the scene. The composition is within a bordered rectangle on an off-white page.

    Guard

    Al Taylor

    1988

    Drypoint, open bite, spitbite aquatint, and etching with burnishing in black on somerset satin paper  Accession ID  2012.4.6

    Not on view
  • The image shows a central square filled with a pattern of circular shapes and intersecting lines. The circles vary in size and are evenly distributed across the square. The intersecting lines create textures resembling patterns found in tree bark or on a topographic map.

    Untitled (Small Holes)

    Al Taylor

    1988

    Spitbite aquatint with grinding scraping and polishing in black on somerset satin paper  Accession ID  2012.4.4

    Not on view
  • The image displays a collection of circular shapes and lines with thick, dark arrows or elongated figures overlapping them, set against a textured background.

    Untitled (Large Map)

    Al Taylor

    1988

    Drypoint, etching, aquatint and sugarlift in black on wove somerset satin paper  Accession ID  2012.4.2

    Not on view
  • The image shows elongated rectangular shapes with distinct bands of color (red, orange, blue, and green) on a pale background. Soft gray shadows surround the shapes, creating a sense of movement. Faint vertical lines are present on the upper right, and a small boxed legend in the lower right corner indicates the color scheme.

    No title

    Al Taylor

    1988

    Graphite, watercolor and ink on heavy wove paper, with corner cut-out reattached with tape on verso  Accession ID  2018.112.2

    Not on view
  • The image shows intersecting lines and shapes painted on a textured brown background. Thick black lines intersect to create angles and intersections resembling a scaffolding or city grid. White and pink brushstrokes add contrast and depth. The abstract composition gives a sense of complexity and movement.

    No title

    Al Taylor

    c. 1982/1985

    Acrylic paint on calendared wove paper with additions in black ink on clear plastic overlay  Accession ID  2018.112.6

    Not on view