Sirocco Screenprints

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  • The image depicts a series of bold, geometric shapes made up of vertical and horizontal lines in a structured grid-like pattern. The design resembles modern architectural elements like skyscrapers or building facades, with layers of orange and dark gray bars. One section shows dense clusters of short lines mixed with taller columns, resembling windows. The right side continues with similar shapes, including small squares at the top. The contrasting colors emphasize the structural qualities of each form.

    Untitled

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1973

    Screrenprint in black and orange on german etching wove paper  Accession ID  1983.46.1

    Not on view
  • The image shows a series of concentric squares in shades of red, creating a layered effect that converges to the center. The shapes form a target-like pattern, drawing the eye inward. The gradual color changes give a sense of depth, resembling a coral-colored tunnel.

    JHM-I

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1973

    Color screenprint on german etching wove paper  Accession ID  1976.69.15.1

    Not on view
  • ""

    Joseph Albers Honors the Hirshhorn Museum and Sculpture Garden

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1973

    Portfolio of two color screenprints  Accession ID  1976.69.15.1-2

    Not on view
  • The image consists of nested rectangles in various shades of red, creating a pattern of concentric shapes. The colors progress from dark to light towards the center, forming a gradient effect.

    JHM-II

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1973

    Color screenprint on german etching wove paper  Accession ID  1976.69.15.2

    Not on view
  • The image shows two sets of nested rectangles. On the left, there are four rectangles in shades of gray and blue. On the right, the rectangles are in a warm color palette of yellow-orange, yellow, and light gray.

    Folder 8

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.8

    Not on view
  • The image shows two sets of nested rectangles positioned next to each other on a neutral background. Each set includes four rectangles of varying colors, creating an abstract shape composition. The left set transitions from deep brown to vibrant orange, while the right set mirrors this with the opposite color scheme. The stacked rectangles resemble layered frames or nested boxes, highlighting symmetry and balance in the image.

    Folder 19

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.19

    Not on view
  • ""

    Formulation: Articulation II

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Portfolio of thirty-three screenprints  Accession ID  2015.19.2850.1-33

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view
  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image shows nested rectangles in vibrant shades of red, orange, and pink arranged symmetrically on a plain backdrop. The design creates an optical illusion of depth, resembling stacked boxes or windows receding into the distance. The use of color-blocking and geometric shapes plays with spatial perception, creating a layered frame effect.

    Folder 28

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.28

    Not on view
  • The image displays nested squares in varying shades of gray, creating a pattern of concentric shapes.

    I-S LXXIIa

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1972

    Color screenprint on german etching wove paper  Accession ID  1976.69.20

    Not on view