Sirocco Screenprints

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  • The image shows a composition of rectangular shapes layered concentrically towards the right portion of the canvas, with a predominance of purple, grey, and lavender hues. This abstract arrangement creates a sense of depth and structure. The contrast between the deep purple outer layers and the lighter grey inner shapes draws the eye inward.

    Folder 18

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.18

    Not on view
  • The image displays nested squares in varying shades of gray, creating a pattern of concentric shapes.

    I-S LXXIIa

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1972

    Color screenprint on german etching wove paper  Accession ID  1976.69.20

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image shows abstract, nested rectangles on a light background, divided into two sections. The left side features cool tones with rectangles in shades of teal, green, and dark gray, getting smaller towards the center. The right side includes warm tones with rectangles in shades of yellow, orange, and muted gold towards the center.

    Folder 14

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.14

    Not on view
  • The image shows two groups of overlapping rectangular shapes forming an abstract composition. On the left, teal, blue, and brown rectangles create a pattern resembling a stylized face, while on the right, yellow, orange, and gray rectangles form an abstract counterpart mirroring the left side. The artwork features symmetry and repetition of rectangular forms contributing to its geometric abstraction.

    Folder 9

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.9

    Not on view
  • The image displays a framed composition of abstract shapes and lines against a blank background. Inside the frame, there are elongated, wavy forms that suggest the outline of vases or elongated bottles, interwoven with horizontal lines creating a striped effect. The abstract design combines earthy brown tones resembling interlocking wooden patterns or reflections on water. The bordered rectangle on the right contrasts with the stark white on the left, emphasizing the fluid interplay of shapes inside.

    Folder 22

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.22

    Not on view
  • The image shows intersecting geometric shapes arranged in a symmetrical pattern with bold lines creating depth and dimension. The composition is abstract, characterized by two large hexagonal forms and trapezoidal extensions. The arrangement plays with perspective, resembling open doorways or book pages amidst a flat, neutral background.

    Folder 7

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.7

    Not on view
  • The image shows two adjacent rectangles filled with geometric shapes forming an abstract design. Each rectangle has small white and grey parallelograms that interlock like origami paper folds. One rectangle is grey, while the other has a bold blue strip at the top edge. The design resembles architectural forms or open origami figures.

    Folder 23

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.23

    Not on view
  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image shows two sets of nested rectangles positioned next to each other on a neutral background. Each set includes four rectangles of varying colors, creating an abstract shape composition. The left set transitions from deep brown to vibrant orange, while the right set mirrors this with the opposite color scheme. The stacked rectangles resemble layered frames or nested boxes, highlighting symmetry and balance in the image.

    Folder 19

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.19

    Not on view
  • The image shows two sets of nested rectangles. On the left, there are four rectangles in shades of gray and blue. On the right, the rectangles are in a warm color palette of yellow-orange, yellow, and light gray.

    Folder 8

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.8

    Not on view
  • The image features two compositions, each consisting of a grid of vertical and horizontal lines forming rectangles within gray squares on a white background. The artwork is abstract, with geometric shapes that resemble patterns of a city skyline or modern skyscrapers. The left composition has a lighter gray background and alternating black and white bands, while the right composition has a darker gray background.

    Folder 11

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.11

    Not on view