Sirocco Screenprints

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  • The image shows a series of rectangular shapes layered towards the right side of the frame. The rectangles vary in shades of gray, gold, and yellow, fitting within each other. The largest rectangle is in gray, with smaller rectangles in gold and yellow stacked inside it. The left side of the image is empty.

    Folder 5

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.5

    Not on view
  • The image shows two sets of nested rectangles. On the left, there are four rectangles in shades of gray and blue. On the right, the rectangles are in a warm color palette of yellow-orange, yellow, and light gray.

    Folder 8

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.8

    Not on view
  • The image shows two sets of nested rectangles positioned next to each other on a neutral background. Each set includes four rectangles of varying colors, creating an abstract shape composition. The left set transitions from deep brown to vibrant orange, while the right set mirrors this with the opposite color scheme. The stacked rectangles resemble layered frames or nested boxes, highlighting symmetry and balance in the image.

    Folder 19

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.19

    Not on view
  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image shows two adjacent rectangles filled with geometric shapes forming an abstract design. Each rectangle has small white and grey parallelograms that interlock like origami paper folds. One rectangle is grey, while the other has a bold blue strip at the top edge. The design resembles architectural forms or open origami figures.

    Folder 23

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.23

    Not on view
  • The image shows a series of concentric rectangles aligned side by side. The rectangles on the left transition from dark gray to bright red, while the rectangles on the right transition from olive green to vivid yellow. The composition appears symmetrical.

    Folder 24

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.24

    Not on view
  • The image displays two geometric compositions side by side, each featuring overlapping shapes forming abstract 3D structures. The left composition is predominantly green, while the right is various shades of blue. The intersecting lines and planes within each shape give the impression of folded paper or an open book. The shapes create depth and perspective, with each quadrilateral adding to the sense of dimensionality.

    Folder 25

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.25

    Not on view
  • The image contains two rectangular compositions side-by-side. Each features a series of nested squares and rectangles of varying hues. On the left, there is an abstract arrangement with a green square at the center, surrounded by progressively larger gray and darker green rectangles. On the right, there is another abstract configuration with an orange square at the center, bordered by light orange and darker orange rectangles. Both compositions use contrasting colors to accentuate depth.

    Folder 17

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.17

    Not on view
  • The image shows two abstract compositions side by side. The designs consist of triangles and parallelograms forming a geometric pattern resembling a twisted ribbon or the letter "Z" in three dimensions. One composition is on a light gray background with darker outlines, while the other is on a black background with lighter lines. The design gives the impression of a three-dimensional object like folded paper or a modern sculpture.

    Folder 16

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.16

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image displays nested squares in varying shades of gray, creating a pattern of concentric shapes.

    I-S LXXIIa

    Josef Albers, Sirocco Screenprints, Ives-Sillman

    1972

    Color screenprint on german etching wove paper  Accession ID  1976.69.20

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view