Michael Mazur

American, 1935 - 2009

Displaying 13 - 24 of 36

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  • The image shows various jagged and smooth shapes forming a pattern of light and shadow. The abstract composition includes elongated, vertical forms against a textured background. The artwork suggests the appearance of draped fabric or clothing, with some areas patterned with dots and others appearing textured with horizontal stripes. The interplay of light and dark areas creates a sense of depth and three-dimensionality.

    The Mirror

    Michael Mazur, Manuel Fuentes, Tamarind Institute

    1968

    Lithograph in black on german etching wove paper  Accession ID  1984.34.263

    Not on view
  • The image shows soft curves and elongated, vertical shapes in pale colors blending into one another. The forms could resemble a landscape or waterfall.

    Untitled

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in beige and blue on copperplate deluxe wove paper  Accession ID  1984.34.288

    Not on view
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    Model's Entrance

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in yellow-gray on rives bfk wove paper  Accession ID  1984.34.290

    Not on view
  • The image depicts a monochromatic interior sketch of a room. In the center is a window with multiple panes. To the lower left is a bed or couch with dark striped fabric, and to the lower right are cushions or pillows. The color palette is mainly shades of grey. Two humanoid silhouettes are visible on either side of the window against the wall.

    Studio Views III

    Michael Mazur, Robert Rogers, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.271

    Not on view
  • ""

    Self-Portrait

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.284

    Not on view
  • The artwork features a full-body image of a figure positioned vertically and centered within the composition. The figure is facing forward with their head slightly bowed. The facial features are abstract, and the hair flows naturally around the head. The figure is unclothed with arms held out horizontally. The background is plain and monochromatic, allowing the figure to stand out. There are no other visible elements in the image.

    Angelina's Legs A (1)

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in gray on copperplate deluxe wove paper  Accession ID  1984.34.282

    Not on view
  • The image shows a sketch of a human figure from head to mid-calf. The figure is standing upright facing forward. The individual's facial features are obscured, with dark, disheveled hair. The torso and limbs are textured with shading. The figure is unclothed. The background is plain white.

    Angelina's Legs B (1)

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in gray on copperplate deluxe wove paper  Accession ID  1984.34.283

    Not on view
  • The image features organic, flowing lines and a textured surface forming an abstract composition. The shapes resemble mountainous landscapes, potentially snow-capped peaks merging into a misty sky. Light and shadow create depth and guide the eye across the surface like rugged terrain.

    Untitled

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in gray and blue on arches wove paper  Accession ID  1984.34.289

    Not on view
  • The image contains bold, dark lines forming an abstract outline resembling a side profile of a human figure seated on a chair. The lines connect to create the shape of a person sitting, with curves suggesting body parts and angular shapes hinting at a chair or platform. The lines' simplicity and fluidity create an impression of a figure in a contemplative pose.

    Dark Division (1)

    Michael Mazur, Manuel Fuentes, Tamarind Institute

    1968

    Lithograph in brown on german etching wove paper  Accession ID  1984.34.278

    Not on view
  • ""

    Venice Boulevard

    Michael Mazur, Frank Akers, Tamarind Institute

    1968

    Lithograph in pink and gray on german etching wove paper  Accession ID  1984.34.264

    Not on view
  • ""

    Untitled

    Michael Mazur, Edward Hughes, Tamarind Institute

    1968

    Color lithograph on arches wove paper  Accession ID  1984.34.272

    Not on view
  • ""

    Griffith Park #1

    Michael Mazur, Theo Wujcik, Tamarind Institute

    1968

    Lithograph in black on german etching wove paper  Accession ID  1984.34.265

    Not on view