Michael Mazur

American, 1935 - 2009

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  • The image features organic, flowing lines and a textured surface forming an abstract composition. The shapes resemble mountainous landscapes, potentially snow-capped peaks merging into a misty sky. Light and shadow create depth and guide the eye across the surface like rugged terrain.

    Untitled

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in gray and blue on arches wove paper  Accession ID  1984.34.289

    Not on view
  • The image shows a sketch of a human figure from head to mid-calf. The figure is standing upright facing forward. The individual's facial features are obscured, with dark, disheveled hair. The torso and limbs are textured with shading. The figure is unclothed. The background is plain white.

    Angelina's Legs B (1)

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in gray on copperplate deluxe wove paper  Accession ID  1984.34.283

    Not on view
  • The artwork features a full-body image of a figure positioned vertically and centered within the composition. The figure is facing forward with their head slightly bowed. The facial features are abstract, and the hair flows naturally around the head. The figure is unclothed with arms held out horizontally. The background is plain and monochromatic, allowing the figure to stand out. There are no other visible elements in the image.

    Angelina's Legs A (1)

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in gray on copperplate deluxe wove paper  Accession ID  1984.34.282

    Not on view
  • ""

    Self-Portrait

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.284

    Not on view
  • ""

    Model's Entrance

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in yellow-gray on rives bfk wove paper  Accession ID  1984.34.290

    Not on view
  • The image displays an abstract composition with various shapes resembling elongated limbs and dark, shadowy forms. There are suggestions of a reclining figure with intertwined legs in the foreground, while the background features swirling patterns that evoke a liquid or wave-like appearance. Above, there are jagged, angular protrusions that resemble sharp mountain peaks or fragmented shards. The abstract nature of the image invites comparisons to scenes of repose or natural landscapes, blending forms and textures in a surreal manner.

    Sunset Boulevard III

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.287

    Not on view
  • The image shows various jagged and smooth shapes forming a pattern of light and shadow. The abstract composition includes elongated, vertical forms against a textured background. The artwork suggests the appearance of draped fabric or clothing, with some areas patterned with dots and others appearing textured with horizontal stripes. The interplay of light and dark areas creates a sense of depth and three-dimensionality.

    The Mirror

    Michael Mazur, Manuel Fuentes, Tamarind Institute

    1968

    Lithograph in black on german etching wove paper  Accession ID  1984.34.263

    Not on view
  • ""

    Self-Portrait III

    Michael Mazur, Manuel Fuentes, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.294

    Not on view
  • This is a drawing of two abstract human-like figures outlined in black. The image shows two abstract human-like forms depicted side by side. Each figure emerges from a rounded arch form, with the torso and head being more detailed while the limbs are abstract and elongated. The left figure has a stretched horizontal line extending from the shoulders, and the right figure appears to have a more upright stance. The artist uses stark contrast with black and white to emphasize the figures' features and outline, creating a ghostly effect. The line work is bold yet fluid, lending the figures a surreal quality. The piece encourages viewers to ponder the figures' essence.

    Angelina's Legs (1)

    Michael Mazur, Anthony Stoeveken, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.281

    Not on view
  • The image shows a fragmented representation of a person's body within an artistic composition. The upper body, including the torso and arms, is partially visible, leaning diagonally across the frame. One arm is slightly bent, suggesting a reclined or laying position facing upward with one leg extended toward the foreground. The figure's head is not shown in the image, thus no facial features or hair details can be described. The person appears to be wearing a textured shirt and pants, depicted with crosshatching and shadowing techniques, while a shoe is prominently featured near the bottom center. Scattered across the artwork are imprints resembling handprints and footprints, which contribute to the textured and dynamic background, adding layers to the monochromatic palette.

    The Escape

    Michael Mazur

    1964

    Etching and aquatint in black on wove paper  Accession ID  2008.115.3395

    Not on view
  • This is a drawing of a figure seated in a contemplative posture. The image is rendered in a monochromatic color scheme, utilizing varying shades of black and white. The composition is centered around a figure seated on what appears to be a chair, with blurred, swirling lines creating the impression of movement. The figure's posture is one of contemplation, enhanced by the play of light and shadow that adds depth to the form. The background is textured and somewhat abstract, with light streaming in from a window, illuminating the scene. The use of rough lines and the dark palette contribute to a somber mood, and the overall style is suggestive of expressionism. The environment is sparse and undefined.

    The Occupant

    Michael Mazur

    1962

    Etching and aquatint in black on fabriano murillo wove paper  Accession ID  2019.109.51

    Not on view
  • The image shows black, angular shapes and curving lines on a white background. The artwork uses bold, overlapping forms suggesting motion and depth. Some shapes resemble objects like parts of a maze or the branches of a tree in a silhouette. The play of positive and negative space adds to the complexity of the design.

    Grandmother's Hat

    Michael Mazur

    1956

    Woodcut in black on wove paper  Accession ID  2008.115.3396

    Not on view