Robert Cremean

American, born 1932

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  • The composition includes a vertical line intersecting with a horizontal beam. An abstract form resembling an extended arm reaches up to hold onto the beam. Below the hand, abstract shapes intertwine like ribbons, leading down to a geometric outline resembling a resting human figure or a head. The image suggests ascension or reaching towards something, and conveys a sense of climbing or grasping for support.

    Thirteenth Station

    Robert Cremean, Tamarind Institute

    1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.13

    Not on view
  • The image shows a composition of geometric lines and shapes forming an abstract human figure. The figure is reclining within a triangular form that resembles a tilted platform. Two square outlines are positioned above the form. The figure is outlined with flowing lines, and its posture suggests relaxation, with one arm extended upwards and the other downwards. Nearby, smaller geometric shapes such as cones, circles, and a rectangular object are scattered.

    Eleventh Station

    Robert Cremean, Tamarind Institute

    1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.11

    Not on view
  • The image shows geometric shapes and lines, including a large cross made of rectangles and a trapezoid below it. The abstract forms suggest a human figure kneeling with one arm raised and holding an oval shape. The use of minimalistic lines and shapes evokes connections to familiar objects like furniture or architectural elements within an abstract composition.

    Fourteenth Station

    Robert Cremean, Tamarind Institute

    1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.14

    Not on view
  • The image depicts an abstract composition of straight and curved lines forming a design. In the center, there is a silhouette resembling a human figure with outstretched arms and legs made of geometric shapes. The artwork uses shading, solid lines, and a graphical texture to create contrast and a shadow effect. Above the figure, an abstract human head is suggested using lines. The design combines familiar shapes with a minimalist aesthetic.

    Twelfth Station

    Robert Cremean, Tamarind Institute

    1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.12

    Not on view
  • The image displays intersecting straight and curved lines forming abstract shapes. The forms include two overlapping human figures standing on a diagonal line and a set of elongated limbs extending upward towards a rectangular cross-like structure. The composition is set against a textured tan background.

    Tenth Station

    Robert Cremean, Tamarind Institute

    1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.10

    Not on view
  • The sculpture is an abstract form resembling a closed wooden book or a large hinge. It is crafted from wood with a smooth texture and a natural brown finish. The sculpture's front face is a rectangular surface divided into smaller rectangular segments by thin lines, with a vertical hinge-like element on the left, highlighted by a contrasting material, possibly metal with a brass or gold tone. This composition gives the impression of functionality, like a door or book, but remains purely abstract and non-representational in its artistic presentation.

    Fourteen Stations of the Cross

    Robert Cremean, Tamarind Institute

    1966/1967

    Portfolio w/ 14 lithographs (stone) in light pink-brown, pink and black plus title page and colophonon white nacre paper  Accession ID  1983.18.419.1-14

    Not on view
  • The image exhibits intersecting lines and geometric shapes, mainly squares and rectangles, creating an abstract pattern. There are two figures outlined by the lines interacting with a cross shape. In the upper section, there are squares resembling windows or portals, anchoring the abstract elements with a connection to architectural features.

    Fifth Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.5

    Not on view
  • The image displays a large diagonal cross shape in the lower section, intersected by a human figure with outlined limbs and head. Above this, there are three abstract square shapes aligned horizontally.

    Ninth Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.9

    Not on view
  • The image displays abstract geometric shapes and intersecting lines, mostly using rectangles and squares. Two human-like forms with limited details are positioned in the foreground, one leaning against a large, black, cross-like structure, while the other is crouched nearby. Both figures are partially outlined and shaded in pastel tones. Small squares above and around the figures imply windows or frames, adding to the abstract composition.

    Sixth Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.6

    Not on view
  • The image shows intersecting lines and geometric shapes on a plain background. An abstract figure of a person is depicted with defined lines and shadowing. Above the figure, there are three squares, two of which are shaded, resembling cubes. The largest cross-like shape intersects the body, with an arm and leg in motion.

    Eighth Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in light pink-brown, light pinkand black on white nacre paper  Accession ID  1983.18.419.8

    Not on view
  • The image shows geometric shapes and lines, with three squares at the top and diagonal lines intersecting through the center. A central figure, with simplified and stylized curves, is carrying a large, dark rectangle. The figure's form is abstract, and the background is a plain, textured surface with minimal details.

    Seventh Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.7

    Not on view
  • The image displays outlined human figures and geometric shapes on a brown background. Straight lines and rectangles intersect to form an abstract pattern. One rectangle is diagonally aligned to resemble a cross being carried by an outlined figure. The figures appear to interact in a strained posture, potentially indicating collaboration or struggle. Two squares, one filled and one outlined, are positioned above the figures, contributing to the abstract composition.

    Fourth Station

    Robert Cremean, Tamarind Institute

    1966/1967

    Lithograph (stone) in black and brown on wove nacre paper  Accession ID  1983.18.419.4

    Not on view