Graphicstudio

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  • The image is a black and white illustration on a plain background, depicting the upper portions of four heads, each appearing to overlap and tilt in different directions. The heads are positioned closely together, facing inwards towards a central point. The facial features are simply outlined, and hair styles vary: the top left head has short, wavy hair; the top right head features tight curls; the bottom right head appears to have long, straight hair; and the head at the bottom left has wavy, shoulder-length hair. None of the heads are fully colored, and no clothing details or accessories such as jewelry are visible. The background is filled with abstract, radiating lines.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.4

    Not on view
  • The image features a central square filled with swirling lines and bold shapes, creating an abstract design. At the center is a simplified face with closed eyes, flanked by two symmetrical bird shapes on either side. Below the face, there is a dark heart shape. The arrangement of flowing lines around these shapes might evoke the appearance of feathers or wings, enhancing the abstract imagery of a serene figure surrounded by avian forms. The overall composition can be likened to a meditative or protective scene, with the motif of birds adding a touch of tranquility.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.5

    Not on view
  • The image is a black-and-white drawing of a person from the shoulders up. The person is centered in the image, facing directly forward. They have straight eyebrows, a straight mouth, and medium-length hair framing their face. They are wearing clothing with a collar or lapels, and a decorative flower-like pattern. The background is filled with densely packed lines creating a radiating pattern, along with plant leaves and a bird on the left. The style is reminiscent of a block print with high-contrast details against a plain background.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Woodcut in black with text in letterpress on rives lightweight paper  Accession ID  2002.111.2.8

    Not on view
  • The image shows a cover design featuring a portrait of a person facing forward with a neutral expression. The person's facial features are depicted in a bold, outline style with long hair. They wear a collared shirt with floral decorations. The setting includes natural elements like flowers and a hummingbird. The background has dynamic lines suggesting foliage against a solid color. There is text in English and Portuguese above the illustration and the name Abraão Batista below. The color scheme is earthy, with black and muted red tones used throughout.

    A Brazilian in Florida

    Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner

    1996

    Boxed set of eight woodblock prints in black with text letterpress  Accession ID  2002.111.2.1-8

    Not on view
  • ""

    Nuestra Señora de las Iguanas

    Graciela Iturbide, Julie Maher, Mark Callen, Graphicstudio

    1996

    Photogravure on lana brite white paper  Accession ID  1998.87.8

    Not on view
  • ""

    Mujer/Angel

    Graciela Iturbide, Mark Callen, Bert Price, Julie Maher, Graphicstudio

    1996

    Photogravure on lana brite white paper  Accession ID  1998.87.7

    Not on view
  • This is a painting of two revolvers being held and pointed towards the viewer. The artwork displays a pair of hands each gripping a revolver, aiming directly outward. The guns are depicted in grayscale, contrasting against a bright orange background. The style is slightly surreal, with the guns and hands exaggerated in size and texture.

    New Objective Picture

    James Rosenquist, Tim Baker, Julie Maher, Graphicstudio

    1996

    Color screenprint and lithograph on somerset satin wove paper  Accession ID  1998.87.16

    Not on view
  • Thick, dark, curved lines and angular shapes are scattered across a light background. The image features sweeping curves, zigzag shapes, and a looping form.

    Random Combination of Indeterminate Lines

    Bernar Venet, Jill Lerner, Tim Baker, Mark Callen, Graphicstudio

    1996

    Drypont, open bite etching, and aquatint on lana gravure paper  Accession ID  1998.87.25

    Not on view
  • The image shows a ground-level view looking up at intricate, leafless tree branches dominating the upper portion of the scene. The branches stretch across the sky with no clear horizon line visible. In the distance, a dense network of dark, intertwined lines stands out against the pale sky. The branches and trunks create a complex pattern reminiscent of fine brushstrokes on a canvas. The image is composed in a monochromatic palette of greys and sepia, giving it a subdued and timeless quality. Grass is visible close to the viewer, providing a textured base for the scene above.

    Dime Box, Texas

    Andrea Modica, Robert E. Townsend, Mark Callen, Graphicstudio

    1996

    Photogravure with gampi chine collé on lana bright white paper  Accession ID  1998.87.13

    Not on view
  • ""

    Renaissance Unframed 26

    Richard Tuttle, Eric Vontillius, Graphicstudio

    1995 (published 1996)

    Bronze with black patina  Accession ID  1998.87.24.1-2

    Not on view
  • ""

    Computographics

    Keith Sonnier, Tim Baker, Julie Maher, Jill Lerner, Xiaowen Chen, Stefanie Kohn, Mark Callen, Graphicstudio

    1995

    Portfolio of five accordian-folded color planographic/photoetching with paper collage, text by robert rosenblum, and title page and colophon on somerset satin white paper  Accession ID  1998.87.19-23

    Not on view
  • ""

    In Between

    Keith Sonnier, Stefanie Kohn, Julie Maher, Xiaowen Chen, Tim Baker, Jill Lerner, Mark Callen, Graphicstudio

    1995

    Color planographic/photoetching on accordian-folded somerset satin white paper  Accession ID  1998.87.21

    Not on view