Graphicstudio

Anemometer

Keith Sonnier, Steve Espenshied, Tim Baker, Brian Eddleman, Eric Vontillius, Julie Mahler, Graphicstudio

1991-1993

Screenprint on white balloon cloth installed in an aluminum mount with blowers Accession ID 1995.61.26

Not on view

Meridian Codex: Print One

Keith Sonnier, Brian Eddleman, Steve Espenshied, Julie Mahler, Eric Vontillius, Tim Baker, Graphicstudio

1991-1992

Screenprint on balloon cloth stretched across aluminum frame Accession ID 1995.61.28

Not on view

The image shows an abstract composition with overlapping elongated lines forming a triangular and somewhat cone-like shape with a curved edge. The lines give the impression of a woven structure or a dynamic, sprawling shell. The use of a single red hue intensifies the abstract nature, reminiscent of objects like a fishbone or boat ribbing. Surrounding splatters and washes of the same red color contribute to an impression of motion or dispersion, enhancing the abstraction and giving a sense of fluidity.

Red Encounterings

Robert Stackhouse, Graphicstudio

1991-1992

Color spitbite etching, aquatint, and drypoint on somerset satin white 300 gm. paper Accession ID 1995.61.31

Not on view

Encountering

Robert Stackhouse, Graphicstudio

1991-1992

Color spitbite etching, aquatint, and drypoint on somerset satin white 300 gm. paper Accession ID 1995.61.32

Not on view

Triangular Yellows

Richard Anuszkiewicz, Graphicstudio

1991-1992

Color screenprint and lithograph on 4-ply white rag board Accession ID 1995.61.1

Not on view

The image displays a triangular shape made of densely packed parallel lines radiating outward, creating depth and movement. The abstract artwork mainly consists of cool blue hues with contrasting earthy browns in a swirling background. The shape resembles a tunnel or pathway leading towards an unknown destination. Color splashes in the background add energy, similar to splattered paint or a swirling sandstorm.

Blue Encounterings

Robert Stackhouse, Graphicstudio

1991

Color spitbite etching, aquatint, and drypoint on somerset satin white 300 gm. paper Accession ID 1995.61.30

Not on view

The image shows wide, undulating black lines on a mottled, earthy brown background.

Sign of the Tiger

Hugh O'Donnell, Mark Callen, Bradlee Shanks, Graphicstudio

1991

Color woodcut, sugarlift, spitbite, openbite etching, and drypoint on arches cover wove paper Accession ID 1995.61.21

Not on view

To See It Once is Better than to Hear It One Hundred Times

Sergei Volkov, Julie Mahler, Bill Featheringill, Elizabeth Hagy, Steve Espenshied, Tim Baker, Graphicstudio

1990-1992

Lithograph on arches buff paper Accession ID 1995.61.33

Not on view

The image shows a composition of intertwining lines and shapes. A purple shape in the center resembles a hand, with fingers extended. Around the hand are swirling red and green patterns. A white, bird-like shape is at the lower right. The background contains complex patterns and figures, including stylized faces with flowing hair, creating a vibrant abstract scene.

Canoptic Prestidigitation

Nancy Graves, Conrad Schwable, Graphicstudio

1990

Color lithograph with applied cast paper and chine collé on arches wove paper Accession ID 1991.75.177

Not on view

Maquette for "Canoptic Legerdemain"

Nancy Graves, Graphicstudio

1990

Watercolor, graphite, gouache, and gold leaf on cut paper mounted to foamcore Accession ID 1991.75.178

Not on view

The sculpture is a dynamic and abstract composition with a blend of elements suggesting forms and patterns. It features a vivid assemblage of colors and materials, including bright blues, reds, golds, and other vibrant hues. The materials are diverse, featuring shiny metallic, translucent plastic-like parts, and sections resembling paper or fabric textures. The sculpture appears layered with components intertwined and overlayed. Key elements include a gold-toned structure with a face-like pattern, a swirling blue form, and intricate details resembling lace or filigree. The sculpture extends from the wall, casting shadows on the background, enhancing its three-dimensional presence. Its textured and colored aspects demand attention, inviting viewers to observe from different angles.

Canoptic Legerdemain

Nancy Graves, Graphicstudio

1990

Brushed stainless steel, aluminum mesh, cast resin, cast paper, aluminum panels, cast epoxy, and color lithograph Accession ID 1990.72.5

Not on view

The image displays a variety of curved and zigzag lines in the background with swirling shapes overlapping at the center. It has an abstract design combining fluid brush strokes, dotted patterns, and solid colors. The central figure features vertical brown and green sections, multicolored spots, and bold strokes that suggest abstract facial features or decorative masks. The purple, yellow, and grey background enhances the dynamic, layered quality of the artwork.

Green Face

Roy Lichtenstein, Graphicstudio

1989

Lithograph, woodcut, and screenprint with encaustic and waxtype on wove paper Accession ID 1990.72.6

Not on view

Anemometer

Anemometer

Meridian Codex: Print One

Meridian Codex: Print One

Red Encounterings

Red Encounterings

Encountering

Encountering

Triangular Yellows

Triangular Yellows

Blue Encounterings

Blue Encounterings

Sign of the Tiger

Sign of the Tiger

To See It Once is Better than to Hear It One Hundred Times

To See It Once is Better than to Hear It One Hundred Times

Canoptic Prestidigitation

Canoptic Prestidigitation

Maquette for "Canoptic Legerdemain"

Maquette for "Canoptic Legerdemain"

Canoptic Legerdemain

Canoptic Legerdemain

Green Face

Green Face

West Building

East Building

Sculpture Garden

Graphicstudio

Results

West Building

East Building

Sculpture Garden

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