Graphicstudio

The image displays a complex arrangement of curved and angular lines forming an intricate pattern of overlapping shapes. The abstract depiction showcases figures intertwined with bold ribbons and geometric patterns. Some elements resemble human forms, faces, fabric, or waves. The vibrant palette of oranges, blues, and reds enhances the energy and movement in the composition.

Surprising Novel: Chapter Four

Sandro Chia, Graphicstudio

1987/1989

Color heliorelief woodcut with painted additions in acrylic on rives bfk white paper Accession ID 1991.75.61

Not on view

This abstract image displays two figures made of bold black lines against a vibrant background. The top figure is in red, resting its head in one hand while touching the head of the yellow second figure. The bodies of the figures are rounded and simplified. The background is a gradient of pink hues contrasting with a blue base the figures are reclining on.

Surprising Novel: Chapter Three

Sandro Chia, Graphicstudio

1987/1989

Color heliorelief woodcut with painted additions in acrylic on rives bfk white paper Accession ID 1991.75.60

Not on view

The image features a collection of curved and jagged lines forming an abstract design within a rectangular frame. The shapes create the suggestion of two figures with human-like features sitting adjacent to each other. One figure appears to rest a hand on its cheek, while the other figure holds a similar pose. An abstract shape resembling a thought bubble or a mountain is present on one side. The artwork includes cross-hatching and flowing outlines to add texture and depth.

Drawing for "Surprising Novel: Chapter Two"

Sandro Chia, Graphicstudio

1987/1989

Black felt-tip marker and graphite on plastic film Accession ID 1991.75.69

Not on view

Hyacinth

Robert Mapplethorpe, Graphicstudio

1987

Photogravure Accession ID 1987.77.22

Not on view

The image shows an abstract view with sparse details throughout. Horizontal lines and shapes in the upper part of the composition imply a horizon. Various brushstrokes, ranging from thin lines to textured patterns, suggest gestural techniques. The color palette is black and white, creating a stark contrast. Sparse black markings near us hint at terrain or structure, while the rest of the composition continues the abstract landscape impression.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Brush and black ink with graphite and scratching on plastic film Accession ID 1991.75.138

Not on view

A monochrome photograph shows a plant in a bowl with several elongating stems and a cluster of white flowers on one stem. The image is primarily in tones of black, white, and gray. The bowl is positioned slightly to the right in the lower third of the frame on a flat surface, with the flower and stems extending diagonally towards the top left. Light creates a soft shadow of horizontal lines on the left side.

Hyacinth

Robert Mapplethorpe, Graphicstudio

1987

Photogravure on silk collé Accession ID 1987.77.23

Not on view

The image shows a landscape view from an elevated position. The horizon line is high, revealing a vast terrain. Sparse black ink strokes depict trees and a dome-shaped structure. The brushstrokes are loose and abstract, creating a fragmented representation. The color palette is stark, with black lines on a white background, creating a striking visual impact.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Brush and black ink with graphite on plastic film Accession ID 1991.75.140

Not on view

The image shows sharp, angular lines radiating across the canvas, creating an abstract backdrop. Two figures resembling classical reclining statues are present, one larger and more predominant, with the other smaller and situated atop the first. The figures feature bold lines and contrasting colors in green, red, and blue hues.

Study for "Father and Son Song"

Sandro Chia, Graphicstudio

1987

Color marker on two sheets of plastic film Accession ID 1991.75.74.a-b

Not on view

The image contains an arrangement of various abstract shapes and lines scattered across the canvas. The shapes are composed of different colors such as light and medium grey, brown, black, and green, neatly labeled on the left side.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Colored pencil and graphite on plastic film Accession ID 1991.75.133

Not on view

The image shows a landscape with an elevated perspective, offering a panoramic view. The horizon is near the upper third, featuring structures on the left side. The scene uses black ink with brushstrokes and blocky shapes on a white background, resembling a linocut or woodcut style. The black and white create high contrast, outlining the landscape, including hills and architectural elements. Shapes in the foreground suggest architectural features, leading to hills in the background. The composition maintains a monochrome palette, highlighting the interplay between dark and light areas.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Brush and black ink with graphite on plastic film Accession ID 1991.75.134

Not on view

The image is a minimalist line drawing viewed from an elevated perspective, depicting a hilly landscape with scattered buildings and architectural elements. The horizon is positioned high in the image, offering a spacious view of the terrain and architectural forms. Within the distance, we see simplistic outlines of various structures such as a dome and an elongated colonnade. The brushstrokes are clean and sparse, offering a stark contrast between light and dark elements, with the structures and landscapes depicted in shadowed black against the white of the paper. The overall image stays monochrome.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Brush and black ink with graphite on plastic film Accession ID 1991.75.132

Not on view

The image shows a landscape with a high vantage point revealing a wide terrain with land formations. A solitary structure, potentially a lighthouse, stands in the left background. The style features bold, defined black brushstrokes against a light background. The brushstrokes depict forms resembling trees or shrubs, with varied textures indicating different landscape features.

Drawing for "Jerusalem, Temple Mount"

Philip Pearlstein, Graphicstudio

1987

Brush and black ink with graphite on plastic film Accession ID 1991.75.139

Not on view

Surprising Novel: Chapter Four

Surprising Novel: Chapter Four

Surprising Novel: Chapter Three

Surprising Novel: Chapter Three

Drawing for "Surprising Novel: Chapter Two"

Drawing for "Surprising Novel: Chapter Two"

Hyacinth

Hyacinth

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Hyacinth

Hyacinth

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Study for "Father and Son Song"

Study for "Father and Son Song"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

Drawing for "Jerusalem, Temple Mount"

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East Building

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Graphicstudio

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