Tony Cragg

British, born 1949

Displaying 61 - 72 of 91

Results

  • ""

    Laboratory Still Life No. 1, State 2

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint and spitbite aquatint in black and red on somerset textured paper  Accession ID  1998.40.125

    Not on view
  • ""

    Untitled

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in black on somerset textured white paper  Accession ID  1998.40.158

    Not on view
  • The image shows a series of overlapping, elongated ovals that create a pattern of thick, looping lines forming an abstract composition. Towards the top center, there are two small, dense, spiral-like shapes. The arrangement may suggest waves or undulating hills, adding a sense of rhythm to the image.

    Figures XI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.113

    Not on view
  • The image shows swirling, looping lines in blue that form intricate patterns and shapes. The composition can be interpreted as a collection of figures or towers clustered together, suggesting a sense of busyness or density. The overlapping loops and scribbles convey movement and dynamism.

    Figures IV

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.106

    Not on view
  • This is a photograph of a textured black surface. The image shows a flat black surface with subtle textures or faint variations in shading. In the center, barely visible, there is text that reads, "TONY CRAGG Figures I-XII 1988."

    Figures I-XI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Portfolio with eleven prints in softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.103-113

    Not on view
  • The image displays a collection of vertical, looping lines and circular shapes closely arranged to form a dense and dynamic pattern. The pattern resembles a woven fabric or intricate forest canopy. The overlapping lines and loops create a visually striking play of light and shadow, offering a complex and familiar design reminiscent of natural elements.

    Figures X

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.112

    Not on view
  • The image displays densely packed, overlapping loops and swirls in a deep blue tone, forming an abstract composition covering most of the surface. The loops create a sense of movement, evoking tangled threads or scribbled lines. The arrangement suggests a dynamic texture of rapidly drawn scribbles, hinting at waves or a floating net.

    Figures I

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.103

    Not on view
  • The image shows two large utensils, a fork and a knife, on a textured surface that resembles crumpled fabric or a rough landscape. The color palette is primarily shades of grey and black, with highlights of white creating contrast. The fork is positioned towards the upper left with its prongs facing downwards, while the knife lies at an angle from the bottom right towards the center with the blade pointed upwards.

    Landscape

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Spitbite aquatint and aquatint in black on somerset textured white paper  Accession ID  1998.40.129

    Not on view
  • ""

    Laboratory Still Life, No. 2, State 2

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Color aquatint and spitbite aquatint on somerset textured paper  Accession ID  1998.40.128

    Not on view
  • There are two containers in the image. A cylindrical container is on the left, and a rectangular container is on the right. The color scheme is mainly greenish and beige. The containers are on a flat surface.

    Two Bottles, State 2

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint and spitbite aquatint in black and yellow on somerset textured paper  Accession ID  1998.40.157

    Not on view
  • ""

    Horns I

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in red on somerset textured white paper  Accession ID  1998.40.122

    Not on view
  • ""

    Laboratory Still Life, No. 2, State 1

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint and spitbite aquatint in black on somerset textured paper  Accession ID  1998.40.127

    Not on view