A Camera That Goes Anywhere: American Cinema Verité
Still from Robert Drew’s Primary (1960), courtesy of Janus Films
Cinema verité, or direct cinema, was a game-changing documentary movement created in large part by a handful of innovative young filmmakers in the late 1950s. In the US, this included Robert Drew and his circle—Richard Leacock and the Maysles brothers, among others. They were instrumental in developing hand-held, synch-sound technology. This allowed sound and moving image to be recorded simultaneously and unobtrusively. The smaller devices they used, in Leacock’s words, brought “the feeling of being there” to audiences.
This three-part series highlights a small sample of the pioneering direct cinema contributions from American filmmakers Robert Drew and Associates, the Maysles brothers, and Frederick Wiseman.
Programmed in conjunction Treasures of American Cinema
Saturday, October 17
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