Past Exhibition

American Masterworks from the Corcoran, 1815-1940

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting. The water is white and frothy right in front of us, where the shelf of the riverbed changes levels near the edge of the falls. Across from us, the water is also white where it falls over the edge. A thin, broken rainbow glints in the mist near the upper left corner of the painting and continues its arc farther down, between the falls. The horizon line is just over halfway up the composition. Plum-purple clouds sweep into the composition at the upper corners against a lavender-colored sky. Tiny trees and a few buildings line the shoreline to the left and right in the deep distance.
Frederic Edwin Church, Niagara, 1857, oil on canvas, Corcoran Collection (Museum Purchase, Gallery Fund), 2014.79.10

Details

  • Dates

    -
  • Locations

    West Building, Main Floor, Northeast Galleries
We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting. The water is white and frothy right in front of us, where the shelf of the riverbed changes levels near the edge of the falls. Across from us, the water is also white where it falls over the edge. A thin, broken rainbow glints in the mist near the upper left corner of the painting and continues its arc farther down, between the falls. The horizon line is just over halfway up the composition. Plum-purple clouds sweep into the composition at the upper corners against a lavender-colored sky. Tiny trees and a few buildings line the shoreline to the left and right in the deep distance.
Frederic Edwin Church, Niagara, 1857, oil on canvas, Corcoran Collection (Museum Purchase, Gallery Fund), 2014.79.10

Overview:  In 2014 the National Gallery of Art assumed stewardship of the Corcoran Gallery of Art’s renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs. Two installations featuring highlights from the Corcoran collection are on view in the West Building through May 3, 2015. On the main floor, 29 American paintings and two sculptures have been installed in two galleries prior to the integration of works from the Corcoran into the permanent collection. A number of celebrated paintings are included: Frederic Edwin Church’s Niagara, Albert Bierstadt’s The Last of the Buffalo, Sanford Robinson Gifford’s Ruins of the Parthenon, Samuel F. B. Morse’s The House of Representatives, Edward Hopper’s Ground Swell, and Aaron Douglas’s Into Bondage. One of the most famous sculptures of the 19th century, Hiram Powers’s The Greek Slave, is on view in the first room of the installation. Frederic Remington’s bronze sculpture, Off the Range (Coming Through the Rye), a lively depiction of cowboy revelry, anchors the second room in which Bierstadt’s Buffalo Trail: The Impending Storm and Mount Corcoran are also on view.

Attendance: 106,283