Past Exhibition

Heavenly Earth: Images of Saint Francis at La Verna

This is a drawing of a forest scene. The artwork depicts a person with a hooded cloak kneeling beneath a canopy of leafy trees, reaching upward. The forest surrounds with trees and foliage detailed, with a path between them. In the distance, a castle can be faintly seen. The atmosphere is contemplative, with light suggesting a significant occurrence. Texture and form of the foliage and garments adds depth to the drawing.
Titian, Giovanni Britto, Nicolò Boldrini, Saint Francis Receiving the Stigmata, c. 1530, woodcut on laid paper, Ailsa Mellon Bruce Fund, 2005.14.1

Details

  • Dates

    -
  • Locations

    West Building, Ground Floor - Gallery 22
This is a drawing of a forest scene. The artwork depicts a person with a hooded cloak kneeling beneath a canopy of leafy trees, reaching upward. The forest surrounds with trees and foliage detailed, with a path between them. In the distance, a castle can be faintly seen. The atmosphere is contemplative, with light suggesting a significant occurrence. Texture and form of the foliage and garments adds depth to the drawing.
Titian, Giovanni Britto, Nicolò Boldrini, Saint Francis Receiving the Stigmata, c. 1530, woodcut on laid paper, Ailsa Mellon Bruce Fund, 2005.14.1

The Descrizione del Sacro Monte della Vernia (1612) depicts the monastery and dramatic rocky terrain of La Verna, the site where Saint Francis received the stigmata. The gifted baroque draftsman Jacopo Ligozzi was hired to illustrate the volume and he cleverly designed overslips pasted on 5 of the 22 engraved illustrations in a before-and­-after fashion to demonstrate the changes to the topography since Saint Francis’s time. Drawing on the Gallery’s holdings of Franciscan imagery, spanning the 15th through the 18th centuries, this exhibition places the Descrizione del Sacro Monte della Vernia within its most significant artistic and art historical context by examining traditional representations of the experiences of Saint Francis on the mountain of La Verna and innovations on traditional Franciscan subject matter characteristic of the Counter Reformation.

The exhibition is curated by Ginger Hammer, assistant curator, department of old master prints, National Gallery of Art.

Organization: Organized by the National Gallery of Art, Washington

Attendance: 41,532

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