Past Exhibition

Watercolors by J.M.W. Turner from the British Museum

Details

  • Dates

    -

  • Locations

    Ground Floor, Central Gallery

Overview: A group of 80 watercolors was selected by Edward Croft-Murray, keeper of prints and drawings at the British Museum. 79 were from the Turner bequest of over 18,000 drawings and watercolors at the British Museum. Croft-Murray prepared the annotated catalogue, wrote the introduction, and accompanied the works to the United States. The exhibition was organized and circulated by the Smithsonian Institution Traveling Exhibition Service.

Attendance: 23,608

Catalog: Turner Watercolors from the British Museum, by Edward Croft-Murray. Washington, DC: Smithsonian Institution, 1963.

Other Venues:

  • Museum of Fine Arts, Houston
  • M.H. de Young Memorial Museum, San Francisco
  • Cleveland Museum of Art
  • William Rockhill Nelson Gallery of Art, Kansas City, Missouri
  • Brooklyn Museum

You may also like

A rooster woodcarving and a wooden rocking horse.

Exhibition:  Women and the Index of American Design

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

Exhibition:  Mary Cassatt: An American in Paris