Results

Edvard Munch
Closed September 30, 1990
The image shows a person with only the upper part of their body visible. The individual is seated or standing upright, facing forward. Their facial features are lightly sketched, including dark eyes, a defined nose, and mouth, framed by dark hair. They wear a dark garment with a faint high collar, and a circular ornament or brooch at the neck. Vertical wood grain lines create a textured effect. To the left, there is a green-toned window with two panes, implying an interior setting. The background features dark tones, vertical striations, and scattered lines and dots in one corner.
Selections and Transformations
Closed April 15, 1990
Bold strokes and textured squiggles of light teal, muted peacock blue, chestnut-brown, and gray create the impression of a churning sea beneath an oyster-white sky in this abstracted painting. Near the center of the composition, lime-green triangles against a larger patch of slate gray march toward the high horizon line. More green triangles line the lower edge of the canvas. The upper left is filled by a tall, sloping mound of gray and smoky purple layered with strokes of black. The artist signed and dated the painting in the lower right, “Marin 38.”
The Drawings of Jasper Johns
Closed July 29, 1990
The image shows a grid pattern with numbers ranging from 0 to 9 in each square.
Figures and Portraits from the Armand Hammer Collection
Closed November 11, 1990
Five sketches in brown ink are spaced around a vertically oriented sheet of paper. In the top left quadrant, a bearded man faces our right in profile. He has short, curly hair, a deeply lined face, a pronounced underbite, and the tip of his long nose points down. Two independent, wrinkle-lined eyes are sketched in the top right quadrant of the page. Below are two drawings of women with their shoulders angled away from us to the right. Near the bottom left and smaller in scale, a woman looks over her shoulder at us with a slight smile on her lips. In the bottom right quadrant, a woman with her hair pulled back under a snood looks to our right in profile with her chin tipped up. The neckline of both women’s bodices dip across the shoulder blades in the back. The paper is speckled with faint brown stains and spots.
Eva/Ave
Closed May 7, 1991
This is a painting of a scene featuring a central reclining figure on a bed, surrounded by other figures. The central figure has a halo and is on a bed draped with greenish-blue fabric. Other figures with halos, wearing robes, are also present, some holding books or objects. A smaller figure at the bottom is knelt in a pose of prayer. There are architectural elements like a bed with a tall headboard and a cross symbol. Above, two smaller figures are in a cloud. The style is reminiscent of unknown medieval manuscript artists, with flat forms and an earthy color palette dominated by red, brown, and green.
John Twachtman
Closed February 11, 1990
A stream meanders back through snowbanks in this wooded landscape, which is created entirely with cool, pale tones of white, gray, blue, lilac, and golden beige in this nearly square painting. Steep banks sloping toward the stream are mounded with snow. Touches of tan and pale pink suggest traces of foliage in some of the tree branches above. The paint is loosely applied so some brushstrokes are visible, creating a soft, hazy view of this scene.
Master Drawings from the Armand Hammer Collection
Closed February 19, 1989
The image shows a perspective drawing of a large bridge with a rider on horseback statue atop it. The drawing emphasizes the detailed architecture of the bridge and the statue. Parts of the bridge's structure are highlighted with fine, controlled lines and shading. The color scheme is monochromatic with sepia tones, giving the drawing a historical feel. Figures and stone sculptures are seen close to the viewer, adding scale and liveliness to the scene. Background arches draw the eye into the distance, while the sky is lightly sketched to keep the focus on the bridge.
Frans Hals
Closed December 31, 1989
This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists. She sits in a curving, low-backed wood chair against a pale brown background. Her body and the chair are angled slightly to our left, and she looks directly at us. She has small eyes, pink, rounded cheeks, and a wide chin. Her lips are parted in a slight smile, and her hair is covered by a starched, sheer white cap that flares at the sides. The ruff around her neck is gathered in accordion-like, narrow figure-eight folds, and it extends flat and stiff, nearly to her shoulders. Close inspection reveals that the dress is woven with a black-on-black brocade pattern and has a line of small black buttons down the front. She holds a small brown leather book tooled with gold ornament in her right hand, on our left, and her other hand rests on the arm of the chair. She wears a gold ring on each hand. An inscription is painted to our left of her head: “AETAT SVAE 60 ANo 1633.”
Cézanne
Closed April 30, 1989
A light-skinned man with thick black hair and a squared off black beard, dressed in a black jacket over a gray vest and gray trousers, sits facing us in this vertical portrait painting. This work is loosely painted with visible brushstrokes so some details are difficult to make out. The man's body faces us but he looks down and to our left. The tip of his nose almost matches the coral red of his lips. Two pale peach patches below his mouth break up his beard on his pointed chin. His hands, closed into fists, rest on his thighs, which are cropped by the bottom of the canvas. He wears several layers of clothing. The open black jacket reveals a charcoal-gray vest with a V-shaped opening over another black garment, perhaps an undervest. This is worn over a white shirt, which is visible as bright traingles at this throat and white cuffs at his wrists. The white shirt seems to be tied with a black tie and possibly a gray cravat, but this area is broadly painted. The background is painted with gray strokes over black. The artist signed the painting in black paint in the lower right corner, though it is barely visible: “P. Cezanne.”
Paintings by Eugène Boudin from the National Gallery of Art
Closed September 17, 1989
The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting. All the people are elaborately dressed in colorful gowns or suits, with many wearing hats or holding parasols. Behind the group is the ocean, with a few people swimming on the left. The color scheme includes earthy tones for the sand and beach huts, and brighter colors like whites, blacks, blues, and reds for the people's clothing. The sky is predominantly painted in soft blues and grays with some wispy white clouds.
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