Past Exhibitions

Learn about past exhibitions going back as far as 1941 when the National Gallery of Art first opened to the public.

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November 2, 1980 - January 4, 1981
Gods, Saints, and Heroes
A group of light-skinned people and animals gather in an oval ring around a shallow pool in a wooded landscape in this horizontal painting. Deep in shadow but closest to us, animals, objects, and people create a continuous band in the foreground. From left to right is a horse, a reclining woman and small child, a goat tended by a nude child, a dog sniffing at a pile of crockery, baskets, and metal pans and dishes, a cat lapping from a shallow pewter dish, and a young man drinking from a dish or large shell in the lower right corner. Beyond this and to our right, an older man with gray hair and beard and wearing turquoise, pink, and blue robes taps an outcropping of rocks with a thin rod. Water gushes in thin streams from the outcropping into the pool below. The bearded man is surrounded by several standing men and women. Men, women, and children bend over the edge of the pool around its perimeter, filling or drinking from jugs, dishes, and pans. Most of the men wear long robes and some wear turbans, and the women wear long dresses or robes in teal, aquamarine, shell pink, pale yellow, and ivory. Trees enclose this group to the left and at the center of the painting. Another band of dozens of people, animals, and wagons line the horizon in the distance. They are painted in pale gray, blue, pink, and white. The horizon line comes three-quarters of the way up the composition and glimpses of vibrant blue sky and white clouds are seen through breaks in the trees. Light glints off of clothing, smooth skin, the fur of the animals, and especially the metalware in the foreground to give the painting a glimmering, almost glossy look.
August 31, 1980 - January 11, 1981
The Morton G. Neumann Family Collection
August 3 - December 31, 1980
American Indian Life
This vertical portrait shows the head, shoulders, and chest of an indiginous Iowan man with brown skin whose face is mostly painted with red and green. His body and face are angled to our right and he looks into the distance with dark eyes. Crimson-red paint covers his forehead, the sides of his cheeks, and neck. Four parallel lines of pine green angle up his right cheek, on our left, like the four fingers of a hand. A green line on the other cheek could be the thumb, and the palm might have left the green mark on his chin. The man’s nose and cheeks near the nose are unpainted. His spiky headdress is ornamented with two feathers and is held in place with a wide band of dark fur that wraps across his forehead and around the back of his head. Earrings hang from the lobes and tops of his ears, and he wears a necklace made up of bear claws, beads, and seashells, including an oval shaped, medallion-like shell at his throat. His garment is made up of white fur and what appears to be tawny-brown animal hide. Tan-colored clouds create a screen across an ice-blue sky in the background.
June 15 - September 3, 1980
The Busch-Reisinger Museum
May 25 - September 1, 1980
Post-Impressionism
Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky. The artist applied the paint with regular, parallel, straight strokes.
March 16 - May 11, 1980
Italian Drawings 1780-1890
February 24 - July 27, 1980
American Decorative Arts: Renderings from the Index of American Design

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